3542 results in Opera
Some representations of opera seria in opera buffa
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- Cambridge Opera Journal / Volume 3 / Issue 2 / July 1991
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- 27 August 2008, pp. 89-108
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- July 1991
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‘O cieli azzurri’: Exoticism and dramatic discourse in Aida
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, pp. 49-62
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- March 1991
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OPR volume 3 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, pp. f1-f3
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- March 1991
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Carl Dahlhaus, the nineteenth century and opera
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, pp. 79-88
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- March 1991
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Opera talk: A philosophical ‘phantasie’
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, pp. 63-77
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- March 1991
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Fidelio and the French Revolution
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, pp. 23-48
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- March 1991
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‘La vittima è Idamante’: Did Mozart have a motive?
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, pp. 1-21
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- March 1991
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Contributors
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, p. ii
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- March 1991
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OPR volume 3 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 3 / Issue 1 / March 1991
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- 27 August 2008, pp. b1-b3
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- March 1991
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Vincent d'Indy's ‘Drame Anti-Juif’ and its meaning in Paris, 1920
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, pp. 295-319
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- November 1990
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Aria as drama: A sketch from Mozart's Der Schauspieldirektor
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, pp. 251-267
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- November 1990
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OPR volume 2 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, pp. f1-f3
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- November 1990
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On Dante and Italian music: Three moments
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, pp. 219-249
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- November 1990
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OPR volume 2 issue 3 Cover and Back matter
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, pp. b1-b4
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- November 1990
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Culture and musical hermeneutics: The Salome complex
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, pp. 269-294
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- November 1990
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Marvin Carlson. Places of Performance: The Semiotics of Theatre Architecture. Ithaca: Cornell University Press, 1989. 212 pp.
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, pp. 321-329
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- November 1990
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Contributors
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- Cambridge Opera Journal / Volume 2 / Issue 3 / November 1990
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- 27 August 2008, p. ii
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- November 1990
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Listening as a Letter of Uriah: A note on Berio's Un re in ascolto (1984) on the occasion of the opera's first performance in London (9 February 1989)
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- Cambridge Opera Journal / Volume 2 / Issue 2 / July 1990
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- 27 August 2008, pp. 173-185
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- July 1990
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Dismembering Mozart
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- Cambridge Opera Journal / Volume 2 / Issue 2 / July 1990
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- 27 August 2008, pp. 187-195
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- July 1990
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‘Twisted relations’: Method and meaning in Britten's Billy Budd
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- Cambridge Opera Journal / Volume 2 / Issue 2 / July 1990
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- 27 August 2008, pp. 145-171
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- July 1990
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