3542 results in Opera
Wagner's Nuremberg
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 21-41
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- March 1992
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OPR volume 4 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. b1-b4
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- March 1992
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Operatic ambiguities and the power of music
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 75-80
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- March 1992
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Billy Budd and the fear of words
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 43-59
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- March 1992
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Cone's and Kivy's ‘World of Opera’
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 61-74
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- March 1992
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David Kimbell. Italian Opera. Cambridge: Cambridge University Press, 1991. 684 pp.
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 87-90
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- March 1992
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Contributors
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, p. ii
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- March 1992
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OPR volume 4 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. f1-f3
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- March 1992
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Robert Donington. Opera and its Symbols: The Unity of Words, Music, and Staging. New Haven: Yale University Press, 1990. 248 pp.
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- Cambridge Opera Journal / Volume 4 / Issue 1 / March 1992
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- 27 August 2008, pp. 81-85
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- March 1992
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‘The Blue Note’ and ‘The objectified voice and the vocal object’
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, pp. 195-211
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- November 1991
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Nuremberg Trial: Is there anti-semitism in Die Meistersinger?
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, pp. 247-260
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- November 1991
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A plan of the Pantheon Opera House (1790–92)
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, pp. 213-246
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- November 1991
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OPR volume 3 issue 3 Cover and Back matter
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, pp. b1-b3
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- November 1991
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OPR volume 3 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, pp. f1-f3
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- November 1991
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Contributors
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, p. ii
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- November 1991
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Constructing the Oriental ‘Other’: Saint-Saëns's Samson et Dalila
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, pp. 261-302
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- November 1991
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Marie-France Castarède. La voix et ses sortilèges. Paris: Société d'édition «Les Belles Lettres», 1987. 280 pp. - Michel Poizat. L'Opéra ou le cri de l'ange. Essai sur la jouissance de l'amateur d'Opéra. Paris: A. M. Métailié, 1986. 292 pp. - Philippe-Joseph Salazar. Idéologies de l'opéra. Paris: Presses universitaires de France, 1980. 208 pp.
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- Cambridge Opera Journal / Volume 3 / Issue 3 / November 1991
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- 27 August 2008, pp. 303-306
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- November 1991
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6 - Wagner as Beethoven's heir
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- Wagner and Beethoven
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- 21 May 2010
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- 04 July 1991, pp 243-253
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Index of subjects
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- Wagner and Beethoven
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- 04 July 1991, pp 287-288
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Additional acknowledgements
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- Wagner and Beethoven
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- 21 May 2010
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- 04 July 1991, pp x-x
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