3542 results in Opera
On the dramaturgy of Zemlinsky's Eine florentinische Tragödie
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, pp. 165-174
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- July 1995
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One halfstep at a time: Tonal transposition and ‘split association’ in Italian opera
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, pp. 135-164
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- July 1995
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Why the first opera given in Paris wasn't Roman
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, pp. 87-105
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- July 1995
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Despina, Cupid and the pastoral mode of Così fan tutte
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, pp. 107-133
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- July 1995
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William C. Holmes, Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century (Chicago: University of Chicago Press, 1993), 256 pp., bibliography, illustrations.
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, pp. 175-179
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- July 1995
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OPR volume 7 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, p. b1
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- July 1995
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Contributors
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, p. ii
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- July 1995
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OPR volume 7 issue 2 Cover and Front matter
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- Cambridge Opera Journal / Volume 7 / Issue 2 / July 1995
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- 27 August 2008, pp. f1-f3
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- July 1995
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Contributors
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, p. ii
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- March 1995
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‘Adapted to the modern stage’: La clemenza di Tito in London
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. 1-22
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- March 1995
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Bruce Alan Brown. Gluck and the French Theatre in Vienna. Oxford: Clarendon Press, 1991. xvii + 525 pp.
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. 73-79
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- March 1995
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Aspects of form in the Ottocento libretto
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. 23-35
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- March 1995
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OPR volume 7 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. b1-b2
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- March 1995
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Jean-Jacques Nattiez. Wagner Androgyne. Translated by Stewart Spencer. Princeton, New Jersey: Princeton University Press, 1993. xx + 359 pp.
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. 81-85
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- March 1995
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OPR volume 7 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. f1-f3
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- March 1995
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Richard Wagner's Parsifal and the theory of late style
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. 37-54
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- March 1995
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‘A wall of darkness dividing the world’: Blackness and whiteness in Louis Gruenberg's The Emperor Jones
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- Cambridge Opera Journal / Volume 7 / Issue 1 / March 1995
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- 27 August 2008, pp. 55-72
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- March 1995
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OPR volume 6 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 6 / Issue 3 / November 1994
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- 27 August 2008, pp. f1-f3
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- November 1994
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Of women, sex and folly: Opera under the Old Regime
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- Cambridge Opera Journal / Volume 6 / Issue 3 / November 1994
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- 27 August 2008, pp. 205-220
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- November 1994
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Mary Jane Phillips-Matz. Verdi: A Biography. Foreword by Andrew Porter. Oxford1993. xxx + 941 pp. - William Weaver. The Verdi-Boito Correspondence. English language edition based on Carteggi Verdi-Boito, ed. Marcello Conati and Mario Medici, with a new introduction by Marcello Conati. University of Chicago Press, 1994. lxvi + 310 pp.
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- Cambridge Opera Journal / Volume 6 / Issue 3 / November 1994
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- 27 August 2008, pp. 293-298
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- November 1994
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