3542 results in Opera
Absolute prose? - Thomas S. Grey. Wagner's Musical Prose. Cambridge: Cambridge University Press, 1995. xix+397 pp.
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- Cambridge Opera Journal / Volume 9 / Issue 1 / March 1997
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- 27 August 2008, pp. 89-96
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- March 1997
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‘An infinity of factions’: Opera in eighteenth-century Britain and the undoing of society
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- Cambridge Opera Journal / Volume 9 / Issue 1 / March 1997
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- 27 August 2008, pp. 1-19
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- March 1997
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Reading a staging/Staging a reading
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- Cambridge Opera Journal / Volume 9 / Issue 1 / March 1997
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- 27 August 2008, pp. 47-71
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- March 1997
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Contributors
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- 27 August 2008, p. ii
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- March 1997
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Technology of the archaic: wish images and phantasmagoria in Wagner
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- Cambridge Opera Journal / Volume 9 / Issue 1 / March 1997
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- 27 August 2008, pp. 73-87
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Correction
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- Cambridge Opera Journal / Volume 9 / Issue 1 / March 1997
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- 27 August 2008, p. 97
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- March 1997
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OPR volume 8 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, pp. f1-f3
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- November 1996
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Meyerbeer's Il crociato in Egitto: mélodrame, opera, orientalism
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, pp. 215-250
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- November 1996
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En Travesti: Women, Gender Subversion, Opera. Edited by Corinne E. Blackmer and Patricia Juliana Smith. New York: Columbia University Press, 1995.
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, pp. 285-290
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- November 1996
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Mozart's Fiordiligi: Adriana Ferrarese del Bene
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, pp. 199-214
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- November 1996
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Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, pp. 271-284
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- November 1996
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The twilight of the true gods: Cristoforo Colombo, I Medici and the construction of Italian history
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, pp. 251-269
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- November 1996
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OPR volume 8 issue 3 Cover and Back matter
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, pp. b1-b3
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- November 1996
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Contributors
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- Cambridge Opera Journal / Volume 8 / Issue 3 / November 1996
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- 27 August 2008, p. ii
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- November 1996
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Felice Romani, librettist by trade
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, pp. 113-145
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- July 1996
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OPR volume 8 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, pp. b1-b3
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- July 1996
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OPR volume 8 issue 2 Cover and Front matter
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, pp. f1-f3
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- July 1996
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, p. ii
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- July 1996
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Gilbert-Louis Duprez and Gustave Roger in the composition of Meyerbeer's Le Prophète
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, pp. 147-165
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- July 1996
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Bodies of evidence Marc A. Weiner, Richard Wagner and the Anti-Semitic Imagination. Lincoln, Nebr., and London: University of Nebraska Press, 1995. xvi + 439 pp.
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, pp. 185-197
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- July 1996
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