3542 results in Opera
From Nina to Nina: Psychodrama, absorption and sentiment in the 1780s
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, pp. 91-112
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- July 1996
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The castrato as history
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- Cambridge Opera Journal / Volume 8 / Issue 2 / July 1996
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- 27 August 2008, pp. 167-184
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- July 1996
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Benjamin Britten, Owen Wingrave and the politics of the closet; or, ‘He Shall Be Straightened Out at Paramore’
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. 59-75
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- March 1996
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Salieri's Così fan tutte
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. 17-43
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- March 1996
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Johnson James H.. Listening in Paris: A Cultural History. Berkeley: University of California Press, 1995. Studies in the History of Society and Culture, 21. xvi + 384 pp.
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. 77-81
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- March 1996
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OPR volume 8 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. b1-b4
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- March 1996
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OPR volume 8 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. f1-f3
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- March 1996
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Contributors
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, p. ii
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- March 1996
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Myths and realities about tonal planning in Mozart's operas
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. 3-15
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- March 1996
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Rosamund Bartlett. Wagner and Russia. Cambridge: Cambridge University Press, 1995. 405 pp.
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. 83-92
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- March 1996
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Not with a bang but a whimper: The death of Liszt's Sardanapale
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. 45-58
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- March 1996
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OPR volume 7 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, pp. f1-f2
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- November 1995
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Contributors
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, p. ii
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- November 1995
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Monteverdi's Il ritorno d'Ulisse in patria and the power of ‘music’
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, pp. 179-184
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- November 1995
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The Ring and the conditions of interpretation: Wagner's writing, 1848 to 1852
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, pp. 207-231
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- November 1995
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Verdi and the Parisian boulevard theatre, 1847–9
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, pp. 185-205
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- November 1995
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Frederic Spotts. Bayreuth: A History of the Wagner Festival. New Haven and London: Yale University Press, 1994. x + 334 pp.
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, pp. 277-283
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- November 1995
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Syphilis, sin and the social order: Richard Wagner's Parsifal
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, pp. 261-275
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- November 1995
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‘TB sheets’: Love and disease in La traviata
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, pp. 233-260
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- November 1995
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OPR volume 7 issue 3 Cover and Back matter
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- Cambridge Opera Journal / Volume 7 / Issue 3 / November 1995
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- 27 August 2008, p. b1
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- November 1995
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