2580 results in Medieval and Renaissance Music
Byzantine castrati
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- Plainsong & Medieval Music / Volume 11 / Issue 2 / October 2002
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- 09 January 2003, pp. 99-112
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- October 2002
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Liturgical chant bibliography 11
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- Plainsong & Medieval Music / Volume 11 / Issue 2 / October 2002
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- 14 January 2003, pp. 167-201
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- October 2002
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Bruce W. Holsinger. Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. Figurae: Reading Medieval Culture. Stanford CA: Stanford University Press, 2001. IBSN 0 8047 4058 5
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- Plainsong & Medieval Music / Volume 11 / Issue 2 / October 2002
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- 09 January 2003, pp. 203-214
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- October 2002
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A Sarum antiphoner and other medieval office manuscripts from England and France: some musical relationships
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- Plainsong & Medieval Music / Volume 11 / Issue 2 / October 2002
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- 09 January 2003, pp. 113-126
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- October 2002
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The Roman Missa sponsalicia
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- Plainsong & Medieval Music / Volume 11 / Issue 2 / October 2002
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- 09 January 2003, pp. 127-166
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- October 2002
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RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp.
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 259-290
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- October 2002
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THE DEBATE ON SONG IN THE ACCADEMIA FIORENTINA
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 175-221
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- October 2002
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THE CARDONA AND FERNÁNDEZ DE CÓRDOBA COATS OF ARMS IN THE CHIGI CODEX
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 223-258
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- October 2002
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ERIC CHAFE, Analyzing Bach Cantatas. New York and Oxford, Oxford University Press, 2000. xviii + 286 pp.
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 259-290
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- October 2002
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EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 75-116
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- October 2002
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MUSICA MUNDANA, ARISTOTELIAN NATURAL PHILOSOPHY AND PTOLEMAIC ASTRONOMY
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 37-74
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- October 2002
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CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 117-173
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- October 2002
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JEANICE BROOKS, Courtly Song in Late Sixteenth-Century France. Chicago and London, University of Chicago Press. 2000. xvi + 560 pp.
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 259-290
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- October 2002
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INSTRUMENTS REAL AND IMAGINARY: AARON'S INTERPRETATION OF ISIDORE AND AN ILLUSTRATED COPY OF THE TOSCANELLO
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 1-35
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- October 2002
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1 - Historicism in nineteenth-century art, aesthetics and culture
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- Palestrina and the German Romantic Imagination
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- 12 October 2009
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- 18 July 2002, pp 9-35
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2 - Romanticism and the problem of church music
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- Palestrina and the German Romantic Imagination
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- 12 October 2009
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- 18 July 2002, pp 36-61
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6 - Interpreting the secondary discourse of nineteenth-century music
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- 12 October 2009
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- 18 July 2002, pp 241-260
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4 - The Catholic Palestrina revival
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- Palestrina and the German Romantic Imagination
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- 12 October 2009
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- 18 July 2002, pp 133-213
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![](https://assets.cambridge.org/97805218/07371/cover/9780521807371.jpg)
Palestrina and the German Romantic Imagination
- Interpreting Historicism in Nineteenth-Century Music
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- 12 October 2009
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- 18 July 2002
Contents
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- Palestrina and the German Romantic Imagination
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- 12 October 2009
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- 18 July 2002, pp ix-x
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