2580 results in Medieval and Renaissance Music
Recent Recordings of Plainchant
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- Plainsong & Medieval Music / Volume 14 / Issue 1 / April 2005
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- 25 May 2005, pp. 89-104
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- April 2005
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Ardis Butterfield, Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut. Cambridge Studies in Medieval Literature 49. Cambridge: Cambridge University Press, 2002. xx, 375 pp. ISBN 0 521 62219 0.
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- Plainsong & Medieval Music / Volume 14 / Issue 1 / April 2005
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- 25 May 2005, pp. 112-123
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- April 2005
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The paschal alleluia in medieval France
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- Plainsong & Medieval Music / Volume 14 / Issue 1 / April 2005
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- 25 May 2005, pp. 11-57
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- April 2005
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Tonal structure and the melodic role of chromatic inflections in the music of Machaut
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- Plainsong & Medieval Music / Volume 14 / Issue 1 / April 2005
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- 25 May 2005, pp. 59-88
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- April 2005
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The chromatic scales of the Deuteros modes in theory and practice
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- Plainsong & Medieval Music / Volume 14 / Issue 1 / April 2005
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- 25 May 2005, pp. 1-10
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- April 2005
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Jean-François Goudesenne, Offices historiques ou Historiae composés pour les fétes des saints dans la province ecclésiastique de Reims (775–1030). 2 vols in 1. Turnhout: Brepols, 2002. xxvi, 320; vii, 417 pp. 34 plates (in addition to 13 in text). ISBN 2 503 51318 2.
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- Plainsong & Medieval Music / Volume 14 / Issue 1 / April 2005
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- 25 May 2005, pp. 105-112
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- April 2005
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Thomas B. Payne, ed., Le Magnus Liber Organi de Notre-Dame de Paris, vol. VI A–B: Les Organa à deux voix du manuscrit de Wolfenbüttel, Herzog August Bibliothek, Cod. Guelf. 1099 Helmst. 1 vol. in 2. Les Remparts, Monaco: Editions de l'Oiseau-Lyre, 1996. xcvii, 402 pp. ISBN 2 87855 006 4/2 87855 007 2.
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- Plainsong & Medieval Music / Volume 13 / Issue 2 / October 2004
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- 20 December 2004, pp. 206-210
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- October 2004
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Liturgical chant bibliography 13
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- Plainsong & Medieval Music / Volume 13 / Issue 2 / October 2004
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- 20 December 2004, pp. 171-202
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- October 2004
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New music in the Codex Faenza 117
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- Plainsong & Medieval Music / Volume 13 / Issue 2 / October 2004
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- 20 December 2004, pp. 141-161
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- October 2004
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Rondeau and virelai: the music of Andalus and the Cantigas de Santa Maria
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- Plainsong & Medieval Music / Volume 13 / Issue 2 / October 2004
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- 20 December 2004, pp. 127-140
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- October 2004
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The Seligenstadt tonary
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- Plainsong & Medieval Music / Volume 13 / Issue 2 / October 2004
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- 20 December 2004, pp. 107-125
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- October 2004
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The minstrels and trumpeters of Edward IV: some further thoughts
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- Plainsong & Medieval Music / Volume 13 / Issue 2 / October 2004
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- 20 December 2004, pp. 163-169
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- October 2004
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David Chadd, ed., The Ordinal of the Abbey of the Holy Trinity Fécamp (Fécamp, Musée de la Bénédictine, Ms 186) 4 parts in 2 vols. Henry Bradshaw Society, 111–12. London: Published for the Henry Bradshaw Society by The Boydell Press, 1999, 2002. Xii, 885 pp. ISBN 1 870252 13 6, 1 870252 20 9.
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- Plainsong & Medieval Music / Volume 13 / Issue 2 / October 2004
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- 20 December 2004, pp. 203-205
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- October 2004
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‘NOTES AS A GARLAND’: THE CHRONOLOGY AND NARRATIVE OF BYRD'S GRADUALIA
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- Early Music History / Volume 23 / October 2004
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- 16 September 2004, pp. 49-84
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- October 2004
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ARCHITECTURAL SPACES FOR MUSIC: JACOPO SANSOVINO AND ADRIAN WILLAERT AT ST MARK'S
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- Early Music History / Volume 23 / October 2004
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- 16 September 2004, pp. 153-184
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- October 2004
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SCHEIN'S OCCASIONAL MUSIC AND THE SOCIAL ORDER IN 1620S LEIPZIG
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- Early Music History / Volume 23 / October 2004
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- 16 September 2004, pp. 253-284
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- October 2004
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Tim Carter, Monteverdi's Musical Theatre. Yale University Press: New Haven and London, 2002. x+326 pp.
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- Early Music History / Volume 23 / October 2004
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- 16 September 2004, pp. 318-324
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- October 2004
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FOLIO FORMAT AND MUSICAL ORGANISATION IN THE LITURGICAL REPERTOIRE OF THE IVREA AND APT CODICES
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- Early Music History / Volume 23 / October 2004
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- 16 September 2004, pp. 85-152
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- October 2004
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Colleen Reardon, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575–1700. Oxford and New York: Oxford University Press, 2001. viii+289 pp. Elissa B. Weaver, Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women. Cambridge: Cambridge University Press, 2002. xiii+304 pp. Anne MacNeil, Music and Women of the Commedia dell'Arte in the Late Sixteenth Century. Oxford and New York: Oxford University Press, 2003. viii+360 pp.
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- Early Music History / Volume 23 / October 2004
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- 16 September 2004, pp. 305-318
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- October 2004
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S. Wälli, Melodien aus mittelalterlichen Horaz-Handschriften: Edition und Interpretation der Quellen. Monumenta Monodica Medii Aevi. Subsidia, Band III. Kassel, Bärenreiter, 2002. xii+379 pp.
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- Early Music History / Volume 23 / October 2004
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- 16 September 2004, pp. 285-305
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- October 2004
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