2580 results in Medieval and Renaissance Music
Philip the Fair, the Dominicans, and the liturgical Office for Louis IX: new perspectives on Ludovicus Decus Regnantium
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- Plainsong & Medieval Music / Volume 13 / Issue 1 / April 2004
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- 28 April 2004, pp. 33-61
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- April 2004
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Duelling, the death wish, and the supposed suicide of Pierre Aubry
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- Plainsong & Medieval Music / Volume 13 / Issue 1 / April 2004
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- 28 April 2004, pp. 103-106
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- April 2004
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A typology of historiae in West Francia (8–10 c.)
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- Plainsong & Medieval Music / Volume 13 / Issue 1 / April 2004
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- 28 April 2004, pp. 1-31
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- April 2004
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The Advenisti/Lauda Syon composer and his likely contributions to the later Trent Codices
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- Plainsong & Medieval Music / Volume 13 / Issue 1 / April 2004
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- 28 April 2004, pp. 63-85
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- April 2004
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Recent releases of plainchant
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- Plainsong & Medieval Music / Volume 13 / Issue 1 / April 2004
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- 28 April 2004, pp. 87-93
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- April 2004
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Friedrich Ludwig's ‘Musicology of the Future’: a commentary and translation
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- Plainsong & Medieval Music / Volume 12 / Issue 2 / October 2003
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- 22 October 2003, pp. 129-164
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- October 2003
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The transmission history of the Proper chant for St Gregory: the eighth-mode tract Beatus uir
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- Plainsong & Medieval Music / Volume 12 / Issue 2 / October 2003
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- 22 October 2003, pp. 97-127
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- October 2003
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Gareth Curtis, ed. Fifteenth-Century Liturgical Music, IV: Early Masses and Mass-Pairs. Early English Church Music 42. London: Published for the British Academy by Stainer and Bell Ltd., 2001. ISBN 0 85249 846 2
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- Plainsong & Medieval Music / Volume 12 / Issue 2 / October 2003
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- 22 October 2003, pp. 213-222
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- October 2003
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Liturgical chant bibliography 12
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- Plainsong & Medieval Music / Volume 12 / Issue 2 / October 2003
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- 22 October 2003, pp. 179-211
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- October 2003
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Job descriptions, nepotism, and part-time work: the minstrels and trumpeters of the court of Edward IV of England (1461–83)
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- Plainsong & Medieval Music / Volume 12 / Issue 2 / October 2003
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- 22 October 2003, pp. 165-177
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- October 2003
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WATERMARKS AND MUSICOLOGY: THE GENESIS OF JOHANNES WISER’S COLLECTION
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- Early Music History / Volume 22 / August 2003
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- 01 September 2003, pp. 247-332
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- August 2003
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O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE
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- Early Music History / Volume 22 / August 2003
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- 01 September 2003, pp. 1-65
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- August 2003
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LABOURING IN THE MIDST OF WOLVES: READING A GROUP OF FAUVEL MOTETS
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- Early Music History / Volume 22 / August 2003
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- 01 September 2003, pp. 169-245
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- August 2003
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ENTÉ: A SURVEY AND REASSESSMENT OF THE TERM IN THIRTEENTH- AND FOURTEENTH-CENTURY MUSIC AND POETRY
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- Early Music History / Volume 22 / August 2003
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- 01 September 2003, pp. 67-101
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- August 2003
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AN ‘EPISODE IN THE SOUTH’? ARS SUBTILIOR AND THE PATRONAGE OF FRENCH PRINCES
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- Early Music History / Volume 22 / August 2003
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- 01 September 2003, pp. 103-168
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- August 2003
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Music in pre-Reformation York: a new source and some thoughts on the York Masses
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- Plainsong & Medieval Music / Volume 12 / Issue 1 / April 2003
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- 01 May 2003, pp. 71-88
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- April 2003
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The theory and practice of ekphonetic notation: the manuscript Sinait. gr. 213
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- Plainsong & Medieval Music / Volume 12 / Issue 1 / April 2003
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- 01 May 2003, pp. 15-42
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- April 2003
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Recent releases of plainchant
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- Plainsong & Medieval Music / Volume 12 / Issue 1 / April 2003
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- 01 May 2003, pp. 86-96
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- April 2003
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Tenores ad longum and rhythmic cues in the early fifteenth-century motet
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- Plainsong & Medieval Music / Volume 12 / Issue 1 / April 2003
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- 01 May 2003, pp. 43-69
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- April 2003
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The music is the message: music in the apostolic liturgy of Saint Martial
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- Plainsong & Medieval Music / Volume 12 / Issue 1 / April 2003
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- 01 May 2003, pp. 1-14
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- April 2003
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