3296 results in Eighteenth-Century Music
SEVENTH J. S. BACH DIALOGUE MEETING MADINGLEY HALL, CAMBRIDGE, 8–10 JULY 2015
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- 11 February 2016, pp. 171-173
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VÁCLAV PICHL (1741–1805), ED. CHRISTOPHER HOGWOOD STRING QUARTET IN E FLAT MAJOR, OP. 13/III Launton: Edition hh, 2014 pp. viii + 18, isbn 978 1 905779 87 1
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Dedication
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FRENCH CONNECTIONS: NETWORKS OF INFLUENCE AND MODES OF TRANSMISSION OF FRENCH BAROQUE KEYBOARD MUSIC MCGILL UNIVERSITY, 21–24 MAY 2015
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A ‘HISTORICALLY INFORMED’ PYGMALION
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6 - Aspects of the performance of Handelian opera in his time and ours
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CARL PHILIPP EMANUEL BACH (1714–1788) CHAMBER MUSIC WITH TRANSVERSE FLUTE Laura Pontecorvo (transverse flute) / Helianthus Ensemble Brilliant Classics 94884, 2014; one disc, 63 minutes
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- 11 February 2016, pp. 138-141
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Contents
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DANIEL PURCELL (c1670–1717) THE UNKNOWN PURCELL: SONATAS BY DANIEL PURCELL Hazel Brooks (violin), David Pollock (harpsichord) Chandos CHAN 0795, 2013; one disc, 76 minutes
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Acknowledgements
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CONTRIBUTORS
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NANCY NOVEMBER BEETHOVEN'S THEATRICAL QUARTETS: OPP. 59, 74 AND 95 Cambridge: Cambridge University Press, 2013 pp. xiii + 282, ISBN 978 1 107 03545 4
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- 11 February 2016, pp. 116-118
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DENIS DIDEROT (1713–1784), ED. MARIAN HOBSON , TRANS. KATE E. TUNSTALL AND CAROLINE WARMAN DENIS DIDEROT’S ‘RAMEAU’S NEPHEW’: A MULTI-MEDIA EDITION Cambridge: Open Book, 2014 pp. xxiii + 145, isbn 978 1 78374 007 9
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- 11 February 2016, pp. 130-132
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ANTÓNIO JORGE MARQUES A OBRA RELIGIOSA DE MARCOS ANTÓNIO PORTUGAL (1762–1830): CATÁLOGO TEMÁTICO, CRÍTICA DE FONTES E DE TEXTO, PROPOSTA DE CRONOLOGIA Lisbon: Biblioteca Nacional de Portugal / Centro de Estudos de Sociologia e Estética Musical, 2012 pp. xxxii + 1052 + CD-ROM, isbn 978 972 565 472 9
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MUZIO CLEMENTI (1752–1832) THE FATHER OF THE PIANOFORTE: TOCCATA OPUS 11, SONATAS OPUS 33 NO. 2, OPUS 40 NO. 3, OPUS 25 NO. 5, OPUS 50 NO. 1 Simon Conning (piano) Meridian CDE84629, 2014; one disc, 80 minutes
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DANUTA MIRKA (ED.) THE OXFORD HANDBOOK OF TOPIC THEORY New York: Oxford University Press, 2014 pp. xv + 683, isbn 978 0 19 984157 8
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MUSIC IN TRANSITION: CHANGING STYLES AND APPROACHES IN THE MID-BAROQUE (1650–1710) BIRMINGHAM CONSERVATOIRE, 2–3 JULY 2015
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A GEOGRAPHY OF THE TRIO SONATA: NEW PERSPECTIVES UNIVERSITÉ DE FRIBOURG, 21–22 MAY 2015
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- 11 February 2016, pp. 160-161
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HISTORICAL ACTION
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GIORGIO SANGUINETTI THE ART OF PARTIMENTO: HISTORY, THEORY, AND PRACTICE New York: Oxford University Press, 2012 pp. xiv + 385, isbn 978 0 19 539420 7
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- 11 February 2016, pp. 121-123
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