3296 results in Eighteenth-Century Music
SEVENTH BIENNIAL CONFERENCE OF THE SOCIETY FOR EIGHTEENTH-CENTURY MUSIC UNIVERSITY OF TEXAS AT AUSTIN, 25–28 FEBRUARY 2016
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 343-345
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- September 2016
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MOZART'S BAWDY CANONS, VULGARITY AND DEBAUCHERY AT THE WIEDNERTHEATER
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 283-308
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- September 2016
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MOZART, KIRNBERGER AND THE IDEA OF MUSICAL PURITY: REVISITING TWO SKETCHES FROM 1782
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 235-252
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- September 2016
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THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 183-209
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- September 2016
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C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h278 (1782)
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 211-234
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- September 2016
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STEFANO CASTELVECCHI SENTIMENTAL OPERA: QUESTIONS OF GENRE IN THE AGE OF BOURGEOIS DRAMA Cambridge: Cambridge University Press, 2013 pp. xix + 277, isbn 978 0 521 63214 0
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 309-311
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- September 2016
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MUZIO CLEMENTI AND THE BRITISH MUSICAL SCENE COMPLESSO MONUMENTALE DI SAN MICHELETTO, LUCCA, 24–26 NOVEMBER 2015
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 335-337
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- September 2016
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CHRISTOPH GRAUPNER (1683–1760), JOHANN DAVID HEINICHEN (1683–1729), GEORG PHILIPP TELEMANN (1681–1767) ICH HEBE MEINE AUGEN AUF: TELEMANN, HEINICHEN & GRAUPNER IN LEIPZIG Veronika Winter (soprano) / Alex Potter (countertenor) / Hans Jörg Mammel (tenor) / Markus Flaig (bass) / L'arpa festante / Rien Voskullen (director) Carus 83.337, 2015: one disc, 78 minutes
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 326-328
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- September 2016
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‘FROM WHERE DO THESE CHORDS COME?’: THEORETICAL TRADITIONS IN THE ENLIGHTENMENT BOSTON UNIVERSITY, 23 OCTOBER 2015
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 333-335
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FRANCESCO GASPARINI (1661–1727), ARRANGED BY JOHANN SEBASTIAN BACH (1685–1750), ED. PETER WOLLNY MISSA A QUATTRO VOCI Stuttgart: Carus, 2015 pp. 24, ismn 979 0 0071 6516 1
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 321-323
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- September 2016
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INSTRUMENTALMUSIK ‘NEBEN’ HAYDN UND MOZART: ANALYSE, AUFFÜHRUNGSPRAXIS UND EDITION UNIVERSITÄT DES SAARLANDES, 18–19 FEBRUARY 2016
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 340-343
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- September 2016
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WILLIAM SHIELD (1748–1829), ED. ROBERT HOSKINS , ORCHESTRATED BY DAVID VINE ODE TO CAPTAIN COOK, FROM OMAI, OR, A TRIP ROUND THE WORLD Hong Kong: Artaria, 2014 PP. IX + 135, isbn 1 877369 80 2
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 319-321
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SAMMELN – MUSIZIEREN – FORSCHEN. ZUR DRESDNER HÖFISCHEN MUSIK DES 18. JAHRHUNDERTSMUSIC DEPARTMENT OF THE SÄCHSISCHE LANDESBIBLIOTHEK – STAATS- UND UNIVERSITÄTSBIBLIOTHEK DRESDEN, 21–23 JANUARY 2016
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- Eighteenth-Century Music / Volume 13 / Issue 2 / September 2016
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- 16 August 2016, pp. 337-340
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- September 2016
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Figures
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- Mozart's Music of Friends
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4 - Analyzing from within the music: toward a theory of multiple agency
- from Part II - Analytical perspectives
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6 - Multiple agency and meter
- from Part II - Analytical perspectives
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7 - An afternoon at skittles: analysis of the “Kegelstatt” trio, K. 498
- from Part II - Analytical perspectives
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Acknowledgements
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Index
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Frontispiece
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