3296 results in Eighteenth-Century Music
12 - Benefits: cui bono?
- from Part V - The Role of the Audience
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Figures
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Notes on Contributors
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Part II - Beyond London: Mimicry or Originality?
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Acknowledgements
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Copyright page
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Music Examples
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9 - The Mercer’s Hospital Charity Services: Music and Charity in Eighteenth-Century Dublin
- from Part IV - Charity Benefits
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2 - With Several Entertainments of Singing and Dancing: London Theatre Benefits, 1700–1725
- from Part I - Musical Benefits in the London Theatre: Networks and Repertories
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5 - Benefit Concerts in the North of England: More Than Just Musical Entertainment
- from Part II - Beyond London: Mimicry or Originality?
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8 - Strategies of Performance: Benefits, Professional Singers, and Italian Opera in the Early Eighteenth Century
- from Part III - Benefits and Public Image
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10 - English Oratorio and Charity Benefits in Mid-Eighteenth-Century London
- from Part IV - Charity Benefits
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Part III - Benefits and Public Image
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7 - English Music in Benefit Concerts: Henry Purcell and the Next Generation
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11 - Encountering ‘The Most Extraordinary Prodigy’: Meeting Master Mozart in Georgian London
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Contents
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Index of Musical Works
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Part I - Musical Benefits in the London Theatre: Networks and Repertories
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Part V - The Role of the Audience
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3 - Concertos ‘upon the Stage’ in Early Hanoverian London: The Instrumental Counterpart to Opera Seria
- from Part I - Musical Benefits in the London Theatre: Networks and Repertories
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