3296 results in Eighteenth-Century Music
RETHINKING ENLIGHTENMENT MUSIC HISTORY DALHOUSIE UNIVERSITY, 15–17 JULY 2019
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 165-167
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- March 2020
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HISTORICAL PERFORMANCE: THEORY, PRACTICE, AND INTERDISCIPLINARITY INDIANA UNIVERSITY BLOOMINGTON, 17–19 MAY 2019
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 148-151
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- March 2020
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MARGARET R. BUTLER MUSICAL THEATER IN EIGHTEENTH-CENTURY PARMA: ENTERTAINMENT, SOVEREIGNTY, REFORM Rochester: University of Rochester Press, 2019 pp. xvi + 179, isbn978 1 580 46901 2
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 101-103
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- March 2020
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GEORG PHILIPP TELEMANN (1681–1767) SIX MORAL CANTATAS, TVWV 20:29–34 Julianne Baird (soprano) / Steven Zohn (baroque flute) / Eve Miller (baroque cello) / Leon Schelhase (harpsichord) Centaur 3591, 2017; one disc, 65 minutes
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 130-132
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SAMANTHA OWENS THE WELL-TRAVELLED MUSICIAN: JOHN SIGISMOND COUSSER AND MUSICAL EXCHANGE IN BAROQUE EUROPE Woodbridge: Boydell, 2017 pp. xvi + 385, isbn978 1 783 27234 1
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 113-115
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DON JUAN ARCHIV WIEN AND OTTOMANIA
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 133-134
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- March 2020
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CARLO BROSCHI FARINELLI (1705–1782): THE CAREER, SKILLS AND NETWORKS OF A CASTRATO SINGER ÖSTERREICHISCHE GESELLSCHAFT FÜR MUSIK, VIENNA, 9–12 MAY 2019
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 143-146
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- March 2020
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ECM volume 17 issue 1 Cover and Back matter
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. b1-b2
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CORPUS RESEARCH AS A MEANS OF UNLOCKING MUSICAL GRAMMAR RAMAT GAN AND TEL AVIV, 1–4 JULY 2019
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 162-164
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REBECCA CYPESS and NANCY SINKOFF, eds SARA LEVY'S WORLD: GENDER, JUDAISM AND THE BACH TRADITION IN ENLIGHTENMENT BERLIN Rochester: University of Rochester Press, 2018 pp. x + 292, isbn978 1 580 46921 0
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 103-107
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MICHAEL MAUL, trans. RICHARD HOWE BACH'S FAMOUS CHOIR: THE SAINT THOMAS SCHOOL IN LEIPZIG, 1212–1804 Rochester: Boydell, 2018 pp. xx + 394, isbn978 1 783 27169 6
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 111-113
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CLIFF EISEN and ALAN DAVISON, eds LATE EIGHTEENTH-CENTURY MUSIC AND VISUAL CULTURE Turnhout: Brepols, 2017 pp. v + 231, isbn978 2 503 54629 2
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 107-109
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IDENTIFYING THE UNKNOWN SOURCE OF A PRE-RAMEAU HARMONIC THEORIST: WHO WAS ALEXANDER MALCOLM'S MYSTERIOUS GHOSTWRITER?
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 37-52
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- March 2020
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ANTONIO VIVALDI (1678–1741), ed. BETTINA SCHWEMER LA STRAVAGANZA Kassel: Bärenreiter, 2019 Score, two volumes: pp. xxv + 162, ismn979 0 006 54406 6 / pp. xxv + 131, ismn979 0 006 54409 7 Piano reduction, two volumes: pp. xxiv + 177, ismn979 0 006 54407 3 / pp. xxiv + 129, ismn979 0 006 54410 3
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 126-128
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ANNUAL MEETING OF THE AMERICAN SOCIETY FOR EIGHTEENTH-CENTURY STUDIES DENVER, 21–23 MARCH 2019
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 138-140
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- March 2020
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ANTONIO SALIERI (1750–1825), ed. JANE SCHATKIN HETTRICK REQUIEM WITH TWO RELATED MOTETS Middleton, WI: A-R Editions, 2017 pp. xxv + 248, isbn978 0 895 79859 6
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 124-126
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4 - Cobblers, Country Fairs, and Cross-Dressing: Benefits and the Development of Ballad Opera
- from Part I - Musical Benefits in the London Theatre: Networks and Repertories
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- Music and the Benefit Performance in Eighteenth-Century Britain
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- 30 October 2019
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- 31 October 2019, pp 83-102
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Abbreviations
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- Music and the Benefit Performance in Eighteenth-Century Britain
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- 30 October 2019
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- 31 October 2019, pp xv-xvi
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6 - Amateur Music-Making, Theatre Performances, and Benefit Concerts in Edinburgh
- from Part II - Beyond London: Mimicry or Originality?
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- Music and the Benefit Performance in Eighteenth-Century Britain
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- 30 October 2019
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- 31 October 2019, pp 124-142
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General Index
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- Music and the Benefit Performance in Eighteenth-Century Britain
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- 30 October 2019
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- 31 October 2019, pp 280-286
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