3296 results in Eighteenth-Century Music
IAN WOODFIELD CABALS AND SATIRES: MOZART'S COMIC OPERAS IN VIENNA Oxford: Oxford University Press, 2018 pp. xxxi + 265, isbn978 019 069263 6
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 118-121
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IL CEMBALO TRANSALPINO: MUSIC FROM THE FITZWILLIAM COLLECTION Sophie Yates (harpsichord) Chandos 0819, 2019; one disc, 64 mins
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 128-129
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KATHERINE HAMBRIDGE and JONATHAN HICKS, Eds THE MELODRAMATIC MOMENT Chicago: University of Chicago Press, 2018 pp. 288, isbn978 0 226 56309 1
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- 12 February 2020, pp. 110-111
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FESTIVAL INTERNACIONAL DE MÚSICA DE TECLA ESPAÑOLA: SYMPOSIUM ON DOMENICO SCARLATTI MOJÁCAR, 14–15 JUNE 2019
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- 12 February 2020, pp. 154-157
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EIGHTEENTH-CENTURY THEATER CAPITALS: FROM LISBON TO ST. PETERSBURG PALÁCIO NACIONAL DE QUELUZ, LISBON, 27–29 JUNE 2019
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- 12 February 2020, pp. 159-162
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NOTES ON CONTRIBUTORS
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- 12 February 2020, pp. 1-4
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MUSIC, MORALITY AND SYMPATHY IN THE EIGHTEENTH-CENTURY ENGLISH SERMON
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- 12 February 2020, pp. 9-35
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ECM volume 17 issue 1 Cover and Front matter
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. f1-f4
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BACH IN THE IMAGINARY MUSEUM AND BACH RE-IMAGINED: CONTEMPORARY PERSPECTIVES ON PERFORMING AND RE-CREATING BACH UNIVERSITY OF MASSACHUSETTS AMHERST, 12–14 APRIL 2019
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- 12 February 2020, pp. 140-143
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REINHARD KEISER (1674–1739), ed. KOTA SATO, MAI KOSHIKAKEZAWA and HANSJÖRG DRAUSCHKE ALMIRA Beeskow: Ortus, 2018 pp. xxiii + 63, ismn979 0 502 34098 8
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- 12 February 2020, pp. 122-124
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WILLIAM BABELL AS A PERFORMER-COMPOSER AND MUSIC COPYIST
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- 12 February 2020, pp. 87-99
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MUSICAL EXPRESSION: LESSONS FROM THE EIGHTEENTH CENTURY?
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- 12 February 2020, pp. 53-72
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ATLANTIC CROSSINGS: MUSIC FROM 1492 THROUGH THE LONG 18TH CENTURY CENTER FOR EARLY MUSIC STUDIES, BOSTON UNIVERSITY, 7–8 JUNE 2019
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- 12 February 2020, pp. 151-154
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NAOMI WALTHAM-SMITH MUSIC AND BELONGING BETWEEN REVOLUTION AND RESTORATION New York: Oxford University Press, 2017 pp. xi + 264, isbn978 0 190 66200 4
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- 12 February 2020, pp. 115-118
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JOHANN JOSEPH IGNAZ BRENTNER (1689–1742), ed. VÁCLAV KAPSA INSTRUMENTAL MUSIC Prague: Academus Edition, 2017 pp. xxiv + 75, ISBN 978 8 088 08114 2
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- 12 February 2020, pp. 121-122
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ITALIAN LIBRETTI IN VIENNA DURING THE SEVENTEENTH AND EIGHTEENTH CENTURIES INSTITUT FÜR ROMANISTIK, UNIVERSITÄT WIEN, 20–23 JUNE 2019
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- 12 February 2020, pp. 157-159
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MUSICKING: CULTURAL CONSIDERATIONS UNIVERSITY OF OREGON, 13–17 MAY 2019
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- 12 February 2020, pp. 146-148
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LA NINFA DEL TAGO (1721): ALESSANDRO SCARLATTI RECYCLES IN ROME A NEAPOLITAN SERENATA FOR THE KING OF PORTUGAL
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- 12 February 2020, pp. 135-137
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EDITORIAL
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- 12 February 2020, pp. 5-8
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‘SALAMELICA’: NEW THOUGHTS ON VOLPINO AND HIS ARIA IN ACT III OF LO SPEZIALE
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- Eighteenth-Century Music / Volume 17 / Issue 1 / March 2020
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- 12 February 2020, pp. 73-85
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