9063 results in Film
6 - ‘Now I'm the monster’: Remembering, Repeating and Working Through in Dead Man's Shoes and TwentyFourSeven
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2 - Structure and Agency: Shane Meadows and the New Regional Production Sectors
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Index
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- Post-beur Cinema
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- 22 July 2013, pp 201-204
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10 - ‘Shane, don't film this bit’: Comedy and Performance in Le Donk and Scor-zay-zee
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List of Illustrations
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13 - Is This England '86 and '88? Memory, Haunting and Return through Television Seriality
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Conclusion Provisions for the future
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3 - Colonial Fracture and the Counter-Heritage Film
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Bibliography
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4 - Of Spaces and Difference in the Films of Abdellatif Kechiche
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- 22 July 2013, pp 96-129
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1 - The ‘happy ending’ and homogeneity
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3 - Twenty-first-Century Social Realism: Shane Meadows and New British Realism
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5 - Home, Displacement and the Myth of Return: Journey Narratives in the 2000s
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2 - Happy endings and closure
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- 22 July 2013, pp 57-97
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Index
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- 22 July 2013, pp 216-218
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4 - ‘Al fresco? That's up yer anus, innit?’ Shane Meadows and the Politics of Abjection
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Chapter 2 - The preposterous contemporary Jacobean film: Peter Greenaway’sCook, heritage Shakespeare and sexual exploitation in Mike Figgis’sHotel
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- Screening Early Modern Drama
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Appendix 1 - Chronological list of surviving film adaptations
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Illustrations
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Chapter 5 - Bend it like Nagra: mainstreamingThe Changelingin Sarah Harding’sCompulsion
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