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5 - ‘Hieroglyphics in motion’: representing ancient Egypt and the Middle East in film theory and criticism of the silent period
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The Ancient World in Silent Cinema - Title page
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7 - Ancient Rome in London: classical subjects in the forefront of cinema’s expansion after 1910
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Copyright page
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13 - Competing ancient worlds in early historical film: the example of Cabiria (1914)
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11 - The Kalem Ben-Hur (1907)
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8 - Gloria Swanson as Venus: silent stardom, antiquity and the classical vernacular
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10 - Silent Saviours: representations of Jesus’ Passion in early cinema
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Colour plates
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7 - Conclusion: Post-Beur Cinema
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12 - ‘What do you think makes a bad dad?’ Shane Meadows and Fatherhood
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Happy Endings in Hollywood Cinema
- Cliche, Convention and the Final Couple
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11 - ‘Them over there’: Motherhood and Marginality in Shane Meadows' Films
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7 - ‘An object of indecipherable bastardry – a true monster’: Homosociality, Homoeroticism and Generic Hybridity in Dead Man's Shoes
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Contents
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1 - Introduction: Shane's World
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Acknowledgements
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Acknowledgements
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Frontmatter
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Bibliography
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