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Chapter 4 - Farewell to the Rubble and Welcome to the New Look: Straßenbekanntschaft (1948) and Martina (1949)
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Contents
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Acknowledgements
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1 - Introduction
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8 - Lars von Trier: Provocation, Condemnation and Confrontation
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1 - Theatrum Mundi: Framing Urban Dynamics in Renoir's Paris
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5 - Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust
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Epilogue
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2 - Art and Exploitation: Crossover, Slippage and Fluidity
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Notes
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Chapter 2 - “Fashions for Fräuleins”: The Rebirth of the Fashion Industry and Media in Berlin after 1945
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6 - Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility
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Acknowledgements
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9 - Conclusion
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List of Figures
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References
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Introduction
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3 - Portraying the Future(s) of the Front Populaire
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Acknowledgments
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Preface
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