9063 results in Film
Chapter Nine - Properties of Film Authorship
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Chapter Five - World Cinema and Its Worlds
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Frontmatter
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Chapter Two - Racial Being, Affect and Media Cultures
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Chapter Fourteen - The Expressive Sign: Cinesemiotics, Enunciation and Screen Art
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Chapter Three - Thinking Sex, Doing Gender, Watching Film
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Chapter Sixteen - He(u)retical Film Theory: When Cognitivism Meets Theory
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Chapter One - The Brain's Labor: On Marxism and the Movies
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Postface
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Chapter Eighteen - Screen Perception and Event: Beyond the Formalist/ Realist Divide
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Chapter Eight - Apparatus Theory, Plain and Simple
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Part II - WHAT SCREEN CULTURE IS
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Filmography
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Part III - HOW WE UNDERSTAND SCREEN TEXTS
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Introduction Post-, Grand, Classical or “So-Called”: What Is, and Was, Film Theory?
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Part I - WHAT WE ARE
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Chapter Seven - “We Will Exchange Your Likeness and ecreate You in What You Will Not Know”: Transcultural Process Philosophy and the Moving Image
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Chapter Seventeen - Philosophy Encounters the Moving Image: From Film Philosophy to Cinematic Thinking
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Chapter Four - “Complicated Negotiations”: Reception and Audience Studies into the Digital Age
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Notes on Contributors
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