Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- 1 Introduction
- 2 Art and Exploitation: Crossover, Slippage and Fluidity
- 3 Early Extremity on DVD: History, Precursors and Exploitation Auteurs
- 4 Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation
- 5 Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust
- 6 Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility
- 7 Michael Haneke: Glaciation, Legitimacy and Transgression
- 8 Lars von Trier: Provocation, Condemnation and Confrontation
- 9 Conclusion
- Bibliography
- Index
Acknowledgements
Published online by Cambridge University Press: 28 April 2021
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- 1 Introduction
- 2 Art and Exploitation: Crossover, Slippage and Fluidity
- 3 Early Extremity on DVD: History, Precursors and Exploitation Auteurs
- 4 Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation
- 5 Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust
- 6 Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility
- 7 Michael Haneke: Glaciation, Legitimacy and Transgression
- 8 Lars von Trier: Provocation, Condemnation and Confrontation
- 9 Conclusion
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Cultivating Extreme Art CinemaText, Paratext and Home Video Culture, pp. v - viPublisher: Edinburgh University PressPrint publication year: 2018