21719 results in Drama, Theatre, Performance Studies
The Plays of Caryl Churchill. Theatre of Empowerment. By Amelia Howe Kritzer. New York: St. Martin's Press, 1991. Pp. 216. $39.95.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 273-274
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- Autumn 1992
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Not in Front of the Audience: Homosexuality on Stage. By Nicholas de Jongh. London: Routledge, 1992. Pp. 214 + illus. £35.00; £10.99.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, p. 271
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- Autumn 1992
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Critical Evaluation in the Choreography Class
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, pp. 33-40
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- Fall 1992
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National Dance Association Conference: 60th Anniversary
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, pp. 68-69
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- Fall 1992
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Canadian Theatre Review. Edited by Alan Filewod, Associate Editors Natalie Rewa, Ann Wilson. Nos. 61–64, Winter 1989–Fall 1990.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, p. 258
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- Autumn 1992
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Dance Ethnology Forum
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, pp. 61-63
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- Fall 1992
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Double Take: The Story of the Elgin and Winter Garden Theatres. By Hilary Russell. Toronto: Dundurn Press, 1989. Pp. 158 + illus. $59.95; $29.95.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 248-249
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- Autumn 1992
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From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance, by Elizabeth Aldrich. Evanston, Illinois: Northwestern University Press, 1991. xix + 225 pp., illustrations. $17.95 paperbound.
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, pp. 52-54
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- Fall 1992
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Turn Up The Contrast: CBC Television Drama Since 1952. By Mary-Jane Miller. Vancouver: University of British Columbia Press, 1987. Pp. 429.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 251-253
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- Autumn 1992
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The Methuen Book of Theatre Verse. Compiled and edited by Jonathan and Moira Field. London: Methuen, 1991. Pp. 320 + illus. £15.99.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, p. 269
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- Autumn 1992
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The Correspondence of Edward Gordon Craig and Sándor Hevesi (1908–1933). Edited by György Székely. Budapest: Hungarian Theatre Institute & Museum, 1991. Pp. 203 + 4.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 263-264
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- Autumn 1992
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The Dramaturgy of the Perverse
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 226-235
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- Autumn 1992
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Books Received
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, p. 56
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- Fall 1992
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Magdalena: International Women's Experimental Theatre. By Susan Bassnett. Oxford/New York/Munich: Berg/St. Martin's, 1989. Pp. 134 + illus.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 267-268
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- Autumn 1992
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Aventure du côté du carnaval: Vie et mort du Roi Boiteux
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 203-216
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- Autumn 1992
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Fair Play—12 Women Speak: Conversations With Canadian Playwrights. Edited by Judith Rudakoff and Rita Much. Toronto: Simon & Pierre, 1990. Pp. 220. $22.95.
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 255-256
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- Autumn 1992
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Choreographing History Conference
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, pp. 59-61
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- Fall 1992
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I. A Dance Director's Investigation into Selected Constitutive Properties of Antony Tudor's Dark Elegies
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, pp. 19-24
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- Fall 1992
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Bournonville Festival 1992
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- Dance Research Journal / Volume 24 / Issue 2 / Fall 1992
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- 22 July 2014, pp. 64-68
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- Fall 1992
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Michel Tremblay, dramaturge-démiurge
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- Theatre Research International / Volume 17 / Issue 3 / Autumn 1992
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- 23 January 2009, pp. 180-189
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- Autumn 1992
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