21719 results in Drama, Theatre, Performance Studies
Medieval Drama. By Christine Richardson & Jackie Johnston. New York: St. Martin's Press, 1991. Pp. x + 175.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 156-157
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Small is Beautiful. Edited by Claude Schumacher and Derek Fogg. Glasgow: Theatre Studies Publications, 1991. Pp. 258. £12.99.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, p. 171
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Carolyn Abbate. Unsung Voices. Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton University Press, 1991. 288 pp.
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- Cambridge Opera Journal / Volume 4 / Issue 2 / July 1992
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- 27 August 2008, pp. 187-197
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- July 1992
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Présentation des articles
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 172-174
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Translating Tremblay into Scots
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 138-145
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Eugene O'Neill 1988. Ulrich Halfmann, ed. Tübingen: Gunter Narr Verlag, 1990. Pp. 273.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, p. 166
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Composers and ‘composers’: A response to David Rosen
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- Cambridge Opera Journal / Volume 4 / Issue 2 / July 1992
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- 27 August 2008, pp. 179-186
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- July 1992
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OPR volume 4 issue 2 Cover and Front matter
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- Cambridge Opera Journal / Volume 4 / Issue 2 / July 1992
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- 27 August 2008, pp. f1-f3
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- July 1992
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‘The Quest for a Truly Representative Scottish Native Drama’: The Scottish National Players
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 109-116
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- Summer 1992
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Wagner and the post-modern
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- Cambridge Opera Journal / Volume 4 / Issue 2 / July 1992
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- 27 August 2008, pp. 143-161
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- July 1992
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Glasgow's Tramway: Little Diagilevs and Large Ambitions
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 146-155
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Shakespeare: The Living Record. By Irvin Leigh Matus. New York: St. Martin's Press, 1991. Pp. xii + 174. $39.95.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, p. 160
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Birtwistle's Gawain: An essay and a diary
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- Cambridge Opera Journal / Volume 4 / Issue 2 / July 1992
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- 27 August 2008, pp. 163-178
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Shakespeare On The German Stage: Volume I: 1586–1914. By Simon Williams. Cambridge: University Press, 1991. Pp. xiii + 245 + illus. £27.50.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 161-162
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Stages Of History: Shakespeare's English Chronicles. By Phyllis Rackin. London: Routledge1991. Pp. xii + 256. £14.99.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 157-158
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- Summer 1992
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OPR volume 4 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 4 / Issue 2 / July 1992
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- 27 August 2008, pp. b1-b4
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- July 1992
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Inside the Royal Court Theatre, 1956–1981: Artists Talk. Edited by Gresdna A. Doty and Billy J. Harbin. Baton Rouge and London: Louisiana State University Press, 1990. Pp. 241 + illus.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 167-168
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Contributors
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- Cambridge Opera Journal / Volume 4 / Issue 2 / July 1992
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- 27 August 2008, p. ii
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Actresses as Working Women: Their Social Identity in Victorian Culture. Tracy C. Davis. London and New York: Routledge, 1991. Pp. 200 + illus. £35.00; £9.99
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 163-164
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The Playwrighting Self Of Bernard Shaw. By John A. Bertolini. Carbondale: Southern Illinois University Press. Pp. 206.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
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- 23 January 2009, pp. 165-166
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