21719 results in Drama, Theatre, Performance Studies
The Zenne: Male Belly Dancers and Queer Modernity in Contemporary Turkey1
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 20-36
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- March 2017
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The Flying Dutchman, English Spectacle and the Remediation of Grand Opera
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 5-32
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- March 2017
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Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania. By Diana Looser . Honolulu: University of Hawaiʻi Press, 2014. Pp. xiv + 305 + 19 illus. $55 Hb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 101-102
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- March 2017
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OPR volume 29 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. f1-f2
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- March 2017
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Performance Art in Ireland: A History. Edited by Áine Phillips . London: LADA/Intellect, 2015. Pp. 336 + 149 illus. £25/$36 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 107-109
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- March 2017
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TRI volume 42 issue 1 Cover and Front matter
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. f1-f4
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- March 2017
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Playing God: The Bible on the Broadway Stage. By Henry Bial . Ann Arbor: University of Michigan Press, 2015. Pp. vii + 247 + 15 illus. £73.95/$80 Hb; £27.95/$29.95 Pb. - Performing Religion in Public. Edited by Claire Maria Chambers , Simon W. du Toit and Joshua Edelman . Basingstoke and New York: Palgrave Macmillan, 2013. Pp. xii + 290. £61/$100 Hb; £58/$95 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 93-95
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- March 2017
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After Dada: Fluxus as a Nomadic Art Movement
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, pp. 59-64
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- February 2017
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Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, pp. 3-21
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- February 2017
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Circus Training for Autistic Children: Difference, Creativity, and Community
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, pp. 78-90
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- February 2017
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NTQ volume 33 issue 1 Cover and Front matter
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
- Published online by Cambridge University Press:
- 10 January 2017, pp. f1-f4
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- February 2017
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Mary Luckhurst and E. Morin, eds. Things Unspeakable: Theatre and Human Rights after 1945 Basingstoke: Palgrave Macmillan, 2015. 254 p. £60. ISBN: 978-1-137-36229-2.
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, p. 95
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- February 2017
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Kirsty Johnston Disability Theatre and Modern Drama: Recasting Modernism London: Bloomsbury Methuen Drama, 2016, 240 p. £21.99. ISBN: 978-1-408-18478-3.
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
- Published online by Cambridge University Press:
- 10 January 2017, pp. 92-93
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- February 2017
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George Home-Cook Theatre and Aural Attention: Stretching Ourselves Basingstoke: Palgrave Macmillan, 2015. ix, 229 p. £55. ISBN: 978-1-137-39368-5.
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, p. 92
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- February 2017
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Performativity and Nomadic Subjectivity in Shobana Jeyasingh's TooMortal
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, pp. 22-30
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- February 2017
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Carrie J. Preston Learning to Kneel: Noh, Modernism, and Journeys in Teaching New York: Columbia University Press, 2016. 352 p. £26. ISBN 978-0-231-54429-0.
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
- Published online by Cambridge University Press:
- 10 January 2017, pp. 93-94
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- February 2017
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Alex Mermikides and Gianna Bouchard, ed. Performance and the Medical Body London: Bloomsbury Methuen Drama, 2016. 288 p. £76.50. ISBN: 978-1-4725-7078-9.
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, p. 94
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- February 2017
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Helen M. Brooks Actresses, Gender, and the Eighteenth-Century Stage: Playing Women Basingstoke: Palgrave Macmillan, 2015. x, 201 p. £58. ISBN 978-0-230-29833-0.
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
- Published online by Cambridge University Press:
- 10 January 2017, pp. 91-92
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- February 2017
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Cathcart vs Brooke: a Touring Actress and a Trial of Public Private Identity in the Australian Colonies
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
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- 10 January 2017, pp. 47-58
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- February 2017
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Sophie Quirk Why Stand-Up Matters: How Comedians Manipulate and Influence London: Bloomsbury Methuen Drama, 2015. 256 p. £21.99. ISBN: 978-1-4725-7892-1.
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- New Theatre Quarterly / Volume 33 / Issue 1 / February 2017
- Published online by Cambridge University Press:
- 10 January 2017, p. 93
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- February 2017
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