21719 results in Drama, Theatre, Performance Studies
From India to India: The Performative Unworlding of Literature1
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 5-19
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- March 2017
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The Theatre of David Henry Hwang. By Esther Kim Lee . London: Bloomsbury Methuen Drama, 2015. Pp. x + 207. £21.99 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 109-110
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- March 2017
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Modern Asian Theatre and Performance 1900–2000. By Kevin J. Wetmore Jr , Siyuan Liu and Erin B. Mee . London and New York: Bloomsbury Methuen Drama, 2014. Pp. viii + 304. $112 Hb; $42.95 Pb; $19.99 Ebook.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 102-103
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- March 2017
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Books Received
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 111-112
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Absence, Presence, Indexicality: The Mise en Scène of ‘the Heart of Neolithic Orkney’
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 72-90
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- March 2017
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Performing (for) Survival: Theatre, Crisis, Extremity. Edited by Patrick Duggan and Lisa Peschel . Basingstoke: Palgrave Macmillan, 2016. Pp. 252. £74.05 Hb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 105-106
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- March 2017
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An Earnest Meyerbeer: Le Prophète at London’s Royal Italian Opera, 1849
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 53-73
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- March 2017
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Apartheid Acting Out: Trauma, Confession and the Melancholy of Theatre in Yaël Farber's He Left Quietly
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 55-71
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- March 2017
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Programming Theater History: The Actor's Workshop of San Francisco. By Herbert Blau . New York and London: Routledge, 2013. Pp. xiv + 210 + 101 illus. £84/$141 Hb; £25.99/$45.95 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 91-92
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- March 2017
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Restating the Scene of Foundation: Establishing Israeli Statehood and Culture in National Collection by Public Movement
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 37-54
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- March 2017
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Introduction
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 1-4
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- March 2017
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Sensing Sound: Singing & Listening as Vibrational Practice. By Nina Sun Eidsheim . Durham, NC: Duke University Press, 2015. Pp. xv + 288 + 28 illus. $89.95 Hb; $24.95 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 95-97
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- March 2017
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OPR volume 29 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. b1-b6
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- March 2017
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The Race for Robert and Other Rivalries: Negotiating the Local and (Inter)National in Nineteenth-Century New Orleans
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 94-112
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- March 2017
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From Hindustan to Brabant: Meyerbeer’s L’africana and Municipal Cosmopolitanism in Post-Unification Italy
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- Cambridge Opera Journal / Volume 29 / Issue 1 / March 2017
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- 11 October 2017, pp. 74-93
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- March 2017
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Skin Acts: Race, Psychoanalysis, and the Black Male Performer. By Michelle Ann Stephens . Durham, NC: Duke University Press, 2014. Pp. 328. £69.29/$89.95 Hb; £19.22/$24.95 Pb. - Coloring Whiteness: Acts of Critique in Black Performance. By Faedra Chatard Carpenter . Ann Arbor: University of Michigan Press, 2014. Pp. 308. £61.62/$80 Hb; £26.90/$34.95 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
- Published online by Cambridge University Press:
- 27 March 2017, pp. 97-99
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- March 2017
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Editorial?
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 1-4
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- March 2017
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Theatre/Ecology/Cognition: Theorizing Performer–Object Interaction in Grotowski, Kantor, and Meyerhold. By Teemu Paavolainen . Basingstoke and New York: Palgrave Macmillan, 2012. Pp. xiii + 283. £65/$95 Hb; £62/$81 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
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- 27 March 2017, pp. 92-93
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- March 2017
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Resisting Biopolitics: Philosophical, Political and Performative Strategies. Edited by S. E. Wilmer and Audrone Žukauskaitė . New York and London: Routledge, 2016. Pp. 318. $145/£90 Hb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
- Published online by Cambridge University Press:
- 27 March 2017, pp. 103-105
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- March 2017
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It's All Allowed: The Performances of Adrian Howells. Edited by Deirdre Heddon and Dominic Johnson . Bristol: LADA and Intellect, 2016. Pp. 336 + illus. throughout. £20 Pb.
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- Theatre Research International / Volume 42 / Issue 1 / March 2017
- Published online by Cambridge University Press:
- 27 March 2017, pp. 106-107
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- March 2017
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