21719 results in Drama, Theatre, Performance Studies
Body and Communication: The ‘Ordinary’ Art of Tang Da Wu1
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 286-306
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- October 2017
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‘Spoken Drama (Huaju) with a Strong Chinese Flavour’: The Resurrection and Demise of Popular Spoken Drama (Tongsu Huaju) in Shanghai in the 1950s and Early 1960s
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 265-285
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- October 2017
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A Global Doll's House: Ibsen and Distant Visions. By Julie Holledge , Jonathan Bollen , Frode Helland and Joanne Tompkins . London: Palgrave Macmillan, 2016. Pp. v + 233. €93.59 Hb; €76.99 Eb.
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 358-360
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- October 2017
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TRI volume 42 issue 3 Cover and Front matter
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. f1-f4
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- October 2017
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Editorial: Time Travel
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 245-248
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- October 2017
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Audience as Performer: The Changing Role of Theatre Audiences in the Twenty-First Century. By Caroline Heim . London and New York: Routledge, 2016. Pp. x + 190. £64/$125 Hb; £21.59/$47.95 Pb.
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 361-363
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- October 2017
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Sisterly Disaffection: Women's Colleges, Theatre and the Limits of Dissent
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 342-351
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- October 2017
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From Scenarios to Networks: Performing the Intercultural in Colonial Mexico. By Leo Cabranes-Grant . Evanston: Northwestern University Press, 2016. Pp. xiii + 193. £80.27/$99.95 Hb; £27.04/$34.95 Pb.
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
- Published online by Cambridge University Press:
- 10 January 2018, pp. 357-358
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- October 2017
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Books Received
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 367-368
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- October 2017
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Performing Opera: A Practical Guide for Singers and Directors. By Michael Ewans . London and New York: Bloomsbury Methuen Drama, 2016. Pp. xvii + 331. £85/$114 Hb; £25.99/$35.95 Pb.
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 363-364
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- October 2017
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Theatre and Residual Culture: J. M. Synge and Pre-Christian Ireland. By Christopher Collins . London: Palgrave Macmillan, 2016. Pp. xii + 301. £67.05/ $109 Hb.
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 356-357
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- October 2017
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‘This Is a Historical Israeli Play’: Spectatorship, Ownership and the Israeli Localizations of Salomé1
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
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- 10 January 2018, pp. 249-264
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- October 2017
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Disability, Public Space Performance and Spectatorship: Unconscious Performers. By Bree Hadley . Basingstoke: Palgrave Macmillan, 2014. Pp. ix + 210 + 10 illus. $95 Hb; $90 Pb; $69.99 Eb.
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- Theatre Research International / Volume 42 / Issue 3 / October 2017
- Published online by Cambridge University Press:
- 10 January 2018, pp. 360-361
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- October 2017
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Stanislavsky and Yoga. By Sergei Tcherkasski . Translated by Vreneli Farber. Routledge Icarus. New York: Routledge, 2016; pp. 126. $95 cloth, $24.95 paper, $24.95 e-book.
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- Theatre Survey / Volume 58 / Issue 3 / September 2017
- Published online by Cambridge University Press:
- 10 August 2017, pp. 418-419
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- September 2017
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Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life. By Megan Lewis . Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2016; pp. xv + 246, 29 illustrations. $55.00 paper, $55.00 e-book.
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- Theatre Survey / Volume 58 / Issue 3 / September 2017
- Published online by Cambridge University Press:
- 10 August 2017, pp. 416-418
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- September 2017
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The Phantom Public, the Living Newspaper: Reanimating the Public in the Federal Theatre Project's 1935 (New York, 1936)
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- Theatre Survey / Volume 58 / Issue 3 / September 2017
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- 10 August 2017, pp. 300-325
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- September 2017
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From the Editor
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- Theatre Survey / Volume 58 / Issue 3 / September 2017
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- 10 August 2017, pp. 273-274
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- September 2017
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“The story I must tell”: “Jingle Bells” in the Minstrel Repertoire
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- Theatre Survey / Volume 58 / Issue 3 / September 2017
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- 10 August 2017, pp. 375-403
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- September 2017
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Playing God: The Bible on the Broadway Stage. By Henry Bial . Ann Arbor: University of Michigan Press, 2015; pp. iii + 247, 16 illustrations. $80 cloth, $29.95 paper, $29.95 e-book.
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- Theatre Survey / Volume 58 / Issue 3 / September 2017
- Published online by Cambridge University Press:
- 10 August 2017, pp. 422-424
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- September 2017
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Enacting the Consequences of the Lecoq Pedagogy's Aesthetic Cognitive Foundation
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- Theatre Survey / Volume 58 / Issue 3 / September 2017
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- 10 August 2017, pp. 326-351
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- September 2017
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