21719 results in Drama, Theatre, Performance Studies
Copyright page
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- Ibsen, Scandinavia and the Making of a World Drama
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- 16 November 2017, pp iv-iv
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Chronology
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- Ibsen, Scandinavia and the Making of a World Drama
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Appendix 1 - Income
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Figures
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Appendices
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Appendix 2 - Print Runs
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4 - Nora’s Exit
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Appendix 4 - Extra-Nordic Income
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Contents
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6 - European Breakthrough
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2 - No Escape
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7 - Copyright and Circulation
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- Ibsen, Scandinavia and the Making of a World Drama
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Ibsen, Scandinavia and the Making of a World Drama
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Bodily Narratives in French Baroque Opera
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- Cambridge Opera Journal / Volume 29 / Issue 3 / November 2017
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- 19 July 2018, pp. 353-359
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- November 2017
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OPR volume 29 issue 3 Cover and Back matter
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- Cambridge Opera Journal / Volume 29 / Issue 3 / November 2017
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- 19 July 2018, pp. b1-b3
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- November 2017
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Reaching the Operatic Stage: The Geographical and Social Origins of British and Irish Opera Singers, c.1850–c.1960
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- Cambridge Opera Journal / Volume 29 / Issue 3 / November 2017
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- 19 July 2018, pp. 312-352
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- November 2017
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OPR volume 29 issue 3 Cover and Front matter
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- Cambridge Opera Journal / Volume 29 / Issue 3 / November 2017
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- 19 July 2018, pp. f1-f2
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- November 2017
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Setting the Stage: Drama, Libretti and the ‘Invention’ of Opera in Leipzig in the 1680s
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- Cambridge Opera Journal / Volume 29 / Issue 3 / November 2017
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- 19 July 2018, pp. 287-311
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- November 2017
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Opera Scenes in Video Games: Hitmen, Divas and Wagner’s Werewolves
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- Cambridge Opera Journal / Volume 29 / Issue 3 / November 2017
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- 19 July 2018, pp. 253-286
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- November 2017
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Chapter 1 - Voice, Body, Stage
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- The Mortal Voice in the Tragedies of Aeschylus
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- 13 October 2017
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- 26 October 2017, pp 1-9
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