21719 results in Drama, Theatre, Performance Studies
TRI volume 44 issue 2 Cover and Back matter
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. b1-b2
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Political Acts: Women in Northern Irish Theatre, 1921–2012. By Fiona Coleman Coffey. Syracuse: Syracuse University Press, 2016. Pp. xx + 294. $65 Hb; $29.95 Pb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 213-214
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Total Heroism: Reinterpreting Sartre's Morts sans sépulture (The Victors) for the Chinese Stage
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 171-188
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New Directions in Teaching Theatre Arts. Edited by Anne Fliotsos and Gail S. Medford. Cham: Palgrave Macmillan, 2018. Pp. xix + 310 + 7 illus. $199.99 Hb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 221-222
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TRI volume 44 issue 2 Cover and Front matter
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. f1-f4
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Fiery Temporalities in Theatre and Performance: The Initiation of History. By Maurya Wickstrom. London and New York: Bloomsbury, 2018. Pp. x + 249. £81.00 Hb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 215-216
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Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition. By Nurit Yaari. Oxford: Oxford University Press, 2018. Pp. xvii + 460. £100 Hb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 219-220
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Italians Abroad: Verdi's La traviata and the 1906 Milan Exposition
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- Cambridge Opera Journal / Volume 31 / Issue 2-3 / July 2019
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- 02 June 2020, pp. 237-272
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Art, Madness and Society: Beyond Illness. By Anna Harpin. Abingdon: Routledge, 2018. Pp. xii + 227. £110.00/$150.00 Hb; £29.99/$39.95 Pb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 211-212
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Alfred Dampier's ‘Shakespearean Fridays’
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 135-152
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Church, State and an Operatic Outlaw: Jules Massenet's Hérodiade
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- Cambridge Opera Journal / Volume 31 / Issue 2-3 / July 2019
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- 06 May 2020, pp. 211-236
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- July 2019
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Orpheus's Civilising Song, or, the Politics of Voice in Late Enlightenment Italy
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- Cambridge Opera Journal / Volume 31 / Issue 2-3 / July 2019
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- 30 April 2020, pp. 129-152
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- July 2019
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Australian Theatre after the New Wave: Policy, Subsidy and the Alternative Artist. By Julian Meyrick. Leiden: Brill Rodopi, 2017. Pp. xxii + 264 + 13 illus. $82.00/€71 Hb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 220-221
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Choreomania: Dance and Disorder. By Kélina Gotman. Oxford: Oxford University Press, 2018. Pp. xvi + 361. £71/$99 Hb; £36.49/$49.95 Pb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 210-211
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Books Received
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 224-225
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‘Chinatown’ and Global Operatic Knowledge
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- Cambridge Opera Journal / Volume 31 / Issue 2-3 / July 2019
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- 09 June 2020, pp. 280-290
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- July 2019
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Violetta's Further Predicament: La traviata under Apartheid
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- Cambridge Opera Journal / Volume 31 / Issue 2-3 / July 2019
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- 11 June 2020, pp. 273-279
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- July 2019
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Applied Theatre: Economies. Edited by Molly Mullen. London and New York: Bloomsbury, 2019. Pp. xiv + 265. £64.80/$73.44 Hb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
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- 02 August 2019, pp. 214-215
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Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris
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- Cambridge Opera Journal / Volume 31 / Issue 2-3 / July 2019
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- 01 July 2020, pp. 153-187
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- July 2019
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The Feminist Spectator as Critic: Second Edition. By Jill Dolan. Ann Arbor: University of Michigan Press, 2012. Pp. xliv + 168 + 4 illus. £19.38/$24.95 Pb.
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- Theatre Research International / Volume 44 / Issue 2 / July 2019
- Published online by Cambridge University Press:
- 02 August 2019, pp. 206-209
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