21719 results in Drama, Theatre, Performance Studies
Chapter 1 - Voices of Others Embedded Speech in Pindar and Aeschylus
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- Theatrical Reenactment in Pindar and Aeschylus
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- 07 July 2019
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- 18 July 2019, pp 20-62
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NTQ volume 35 issue 3 Cover and Back matter
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, pp. b1-b2
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- August 2019
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Italian Minor Theatre, 2000–14: the Development of ‘Short Forms’ and the Politics of the Stage
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, pp. 195-208
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- August 2019
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The Path to Woolf Works and the Language of Design
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, pp. 251-260
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- August 2019
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Anthony P. Pennino Staging the Past in the Age of Thatcher: ‘The History We Haven’t Had’ Cham, Switzerland: Palgrave Macmillan, 2018. 251 p. £59.99. ISBN: 978-331-996685-4.
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, p. 287
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- August 2019
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‘Who Tells Your Story?’: Narrative Theory, Public Memory, and the Hamilton Phenomenon
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, pp. 261-274
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- August 2019
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‘Small Forms’ and Large: the Russian Case at the Golden Mask, 2019
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, pp. 275-285
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- August 2019
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Acknowledgments
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- Theatrical Reenactment in Pindar and Aeschylus
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Introduction
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- Theatrical Reenactment in Pindar and Aeschylus
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- 18 July 2019, pp 1-19
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Vicki Ann Cremona Carnival and Power: Play and Politics in a Crown Colony London: Palgrave Macmillan, 2018. 304 p. £88.00. ISBN: 978-3-319-70655-9.
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, p. 288
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- August 2019
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Sruti Bala The Gestures of Participatory Art Manchester: Manchester University Press, 2018. 156 p. £80.00 ISBN: 978-1-5261-0077-1.
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- New Theatre Quarterly / Volume 35 / Issue 3 / August 2019
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- 18 July 2019, pp. 286-287
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- August 2019
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Chapter 5 - Locating the Revenant Pythian 8, Persians
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- Theatrical Reenactment in Pindar and Aeschylus
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- 18 July 2019, pp 219-266
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Appendix 3 - Operettas with English Librettos by Composers for the German Stage
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- German Operetta on Broadway and in the West End, 1900–1940
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- 27 June 2019
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- 11 July 2019, pp 319-323
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6 - Operetta and Intermediality
- from Part II - The Reception of Operetta
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- German Operetta on Broadway and in the West End, 1900–1940
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- 27 June 2019
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- 11 July 2019, pp 191-220
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3 - The Business of Operetta
- from Part I - The Production of Operetta
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- German Operetta on Broadway and in the West End, 1900–1940
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- 11 July 2019, pp 89-124
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Appendix 6 - Research Resources
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- German Operetta on Broadway and in the West End, 1900–1940
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- 11 July 2019, pp 345-350
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Part II - The Reception of Operetta
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- German Operetta on Broadway and in the West End, 1900–1940
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- 11 July 2019, pp 159-160
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1 - The Music of Operetta
- from Part I - The Production of Operetta
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- German Operetta on Broadway and in the West End, 1900–1940
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- 27 June 2019
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- 11 July 2019, pp 19-54
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7 - Operetta and Modernity
- from Part II - The Reception of Operetta
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- German Operetta on Broadway and in the West End, 1900–1940
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- 27 June 2019
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- 11 July 2019, pp 221-251
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Postlude: The Demise of Operetta
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- German Operetta on Broadway and in the West End, 1900–1940
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- 27 June 2019
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- 11 July 2019, pp 277-283
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