Hostname: page-component-76fb5796d-x4r87 Total loading time: 0 Render date: 2024-04-27T04:55:02.128Z Has data issue: false hasContentIssue false
  • English
  • Français

The Feminist Spectator as Critic: Second Edition. By Jill Dolan. Ann Arbor: University of Michigan Press, 2012. Pp. xliv + 168 + 4 illus. £19.38/$24.95 Pb.

Published online by Cambridge University Press:  02 August 2019

Sarah Gorman
Sarah Gorman*
Affiliation:
Roehampton University, London, S.Gorman@roehampton.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Double Take
Information
Theatre Research International , Volume 44 , Issue 2 , July 2019 , pp. 206 - 209
Copyright
Copyright © International Federation for Theatre Research 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

Read Judith Piper's original review which was published in Theatre Research International, 15, 1 (Spring 1990), pp. 95–8.

References

Notes

1 As evidenced in her 2005 work Utopia in Performance: Finding Hope at the Theater (Ann Arbor: University of Michigan Press, 2005)Google Scholar and The Feminist Spectator blog, http://feministspectator.princeton.edu, accessed 21 January 2019.

2 Dolan, Utopia in Performance, p. 2.

3 Walton, Jean cited in Weed's, Elizabeth ‘Introduction’ in Weed, Elizabeth and Schor, Naomi, eds., Feminism Meets Queer Theory (Bloomington and Indianapolis: Indiana University Press, 1997), pp. vii–xiiiGoogle Scholar; and Myriam Francois Cerrah, ‘Feminism Has Been Hijacked by White Middle-Class Women’ (13 February 2015), New Statesman, February 2015, at www.newstatesman.com/politics/2015/02/feminism-has-been-hijacked-white-middle-class-women, accessed 21 January 2019.

4 Eddo-Lodge, Reni, Why I'm No Longer Talking to White People about Race (London: Bloomsbury Circus, 2017)Google Scholar; Gay, Roxanne, Bad Feminist (London: Corsair, 2014)Google Scholar; Eric-Udorie, June, ed., Can We All Be Feminists? New Writing from Brit Bennett, Nicole Dennis-Benn and 15 Others on Intersectionality, Identity and the Way Forward for Feminism (London: Penguin Books, 2018)Google Scholar.

5 Aston, Elaine, ‘Feeling the Loss of Feminism’, Theatre Journal, 62, 4 (December 2010), pp. 575–91, here p. 587Google Scholar.

6 Aston, Elaine and Harris, Geraldine, eds., Feminist Futures? Theatre, Performance, Theory (Basingstoke: Palgrave Macmillan, 2006)CrossRefGoogle Scholar; Aston, and Harris, , A Good Night Out for the Girls (Basingstoke: Palgrave Macmillan, 2013)CrossRefGoogle Scholar.

7 Goddard, Lynette, Staging Black Feminism (Basingstoke: Palgrave Macmillan, 2007)CrossRefGoogle Scholar; Greer, Stephen, Contemporary British Queer Performance (Basingstoke: Palgrave Macmillan, 2012)CrossRefGoogle Scholar; French, Sarah, Staging Queer Feminisms: Sexuality and Gender in Australian Performance (Basingstoke: Palgrave Macmillan, 2013)Google Scholar.

8 Ahmed, Sara, Kilby, Jane, Lury, Celia, McNeil, Maureen and Skeggs, Beverley, eds., Transformations: Thinking through Feminism (London: Routledge, 2000), p. 20Google Scholar.