Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction: Modernism beyond the Blitz
- Chapter 1 Virginia Woolf and the pastoral patria
- Chapter 2 Rebecca West's anti-Bloomsbury group
- Chapter 3 The situational politics of Four Quartets
- Chapter 4 The neutrality of Henry Green
- Chapter 5 Evelyn Waugh and the ends of minority culture
- Coda: National historiography after the post-war settlement
- Notes
- Bibliography
- Index
Chapter 4 - The neutrality of Henry Green
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Acknowledgements
- Introduction: Modernism beyond the Blitz
- Chapter 1 Virginia Woolf and the pastoral patria
- Chapter 2 Rebecca West's anti-Bloomsbury group
- Chapter 3 The situational politics of Four Quartets
- Chapter 4 The neutrality of Henry Green
- Chapter 5 Evelyn Waugh and the ends of minority culture
- Coda: National historiography after the post-war settlement
- Notes
- Bibliography
- Index
Summary
Every politician who has made a speech since September 1939 has ended with a peroration in which he has said that we are not fighting this war for conquest; but to bring about a new order in Europe. In that order, they tell us, we are all to have equal opportunities, equal chances of developing whatever gifts we may possess. That is one reason why, if they mean what they say, and can effect it, classes and towers will disappear. The other reason is given by the income tax. The income tax is already doing in its own way what the politicians are hoping to do in theirs.
Virginia Woolf, ‘The Leaning Tower’ (1940)In the [1914–18] war people in our walk of life entertained all sorts and conditions of men with a view to self-preservation, to keep the privileges we set such store by, and which are illusory, after those to whom we were kind had won the war for us. That is not to say the privileged did not fight, we did, but there were too few of us to win.
Henry Green, Pack My Bag (1940)Woolf's ‘The Leaning Tower’ takes its title from her argument that writers of the 1930s lacked the stable centre of an ivory tower from which to write well about their surroundings.
- Type
- Chapter
- Information
- Modernism and World War II , pp. 91 - 117Publisher: Cambridge University PressPrint publication year: 2007