Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-04-30T13:55:19.924Z Has data issue: false hasContentIssue false

Chapter 3 - The situational politics of Four Quartets

Published online by Cambridge University Press:  22 September 2009

Marina MacKay
Affiliation:
Washington University, St Louis
Get access

Summary

You will be astonished to find how like art is to war. I mean ‘modernist’ art. … I have set out to show how war, art, civil war, strikes and coup d'états dovetail into each other.

Wyndham Lewis, Blasting and Bombardiering (1937)

War is not a life: it is a situation,

One which may neither be ignored nor accepted

T. S. Eliot, ‘A Note on War Poetry’ (1942)

Published on T. S. Eliot's seventy-fifth birthday, and the product of the poet's own sifting and salvaging, Collected Poems 1909–1962 offers illuminating insights into how Eliot viewed his career in its closing years. The last major work in the collection is Four Quartets, the sequence of poems that started in the mid-1930s with Burnt Norton, the poem which developed the model for those Eliot wrote in wartime: East Coker (1940), The Dry Salvages (1941) and Little Gidding (1942). But these are not the four last things the reader encounters in the Collected Poems; they have a postscript in the group of ‘Occasional Verses’ at the very end of the book. A poem written in celebration of Walter de la Mare's seventy-fifth birthday has a self-referential flavour; by far the best known of the five is Eliot's closing dedication to his wife; and the remaining three occasional poems are propaganda from the Second World War: ‘Defense of the Islands’ (1941), ‘A Note on War Poetry’ (1942) and ‘To the Indians Who Died in Africa’ (1943).

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×