Addison, Paul, The Road to 1945: British Politics and the Second World War (London: Jonathan Cape, 1975).
Aldgate, Anthony, and Richards, Jeffrey, Britain Can Take It: British Cinema in the Second World War (Oxford and New York: Blackwell, 1986).
Amis, Kingsley, Lucky Jim (Harmondsworth: Penguin, 1992).
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London and New York: Verso, 1991).
Anderson, Perry, English Questions (London and New York: Verso, 1992).
Annan, Noel, Our Age: English Intellectuals Between the World Wars – A Group Portrait (New York: Random House, 1990).
Attlee, C. R., ‘Each Must Make His Contribution’, The Listener 23 (Jan–June 1940), 1036.
Auden, W. H., Selected Poems, ed. Mendelson, Edward (London: Faber, 1979).
Auden, W. H.,The Orators: An English Study (London: Faber, 1966).
Auden, W. H.et al. Authors Take Sides on the Spanish War, London: Left Review, 1937.
Austen, Jane, Northanger Abbey (Harmondsworth: Penguin, 1985).
Barnett, Correlli, The Lost Victory: British Dreams, British Realities 1945–1950 (London: Macmillan, 1995).
Barnett, Correlli,The Audit of War: The Illusion and Reality of Britain As a Great Nation (London: Macmillan, 1986).
Barrett, Gerard, ‘Souvenirs from France: Textual Traumatism in Henry Green's Back’, in The Fiction of the 1940s: Stories of Survival, eds. Mengham, Rod and Reeve, N. H. (Basingstoke: Palgrave, 2001), 169–84.
Baucom, Ian, Out of Place: Englishness, Empire, and the Locations of Identity (Princeton, NJ: Princeton University Press, 1999).
Beer, Gillian, ‘Between the Acts: Resisting the End’, Virginia Woolf: The Common Ground (Edinburgh: Edinburgh University Press, 1996), 125–48.
Bevan, Aneurin, In Place of Fear (Melbourne, London and Toronto, ON: Heinemann, 1952).
Bowen, Elizabeth, Bowen's Court (New York: Knopf, 1942).
Bowen, Elizabeth,The Last September (New York: Knopf, 1952).
Bradbury, Malcolm, Rates of Exchange (New York: Knopf, 1983).
Calder, Angus, The Myth of the Blitz (London: Jonathan Cape, 1991).
Calder, Angus,The People's War (London: Jonathan Cape, 1969).
Calder, Angus, and Sheridan, Dorothy, eds., Speak For Yourself: A Mass Observation Anthology, 1937–1949 (London: Jonathan Cape, 1984).
Calder, Robert, Beware the British Serpent: The Role of Writers in British Propaganda in the United States 1939–1945 (Montreal, ON, and Ithaca, NY: McGill-Queen's University Press, 2004).
Calvocoressi, Peter, Wint, Guy and Pritchard, John, The Penguin History of the Second World War (London: Penguin, 1999).
Carey, John. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia 1880–1940 (London: Faber, 1992).
Carpenter, Humphrey, The Brideshead Generation: Evelyn Waugh and his Friends (Boston, MA: Houghton Mifflin, 1990).
Cato [pseud.], Guilty Men (New York: Frederick Stokes, 1940).
Chamberlain, Neville, In Search of Peace (New York: Putnam, 1939).
Chamberlain, Samuel, and Moffatt, Donald, This Realm, This England … The Citadel of a Valiant Race Portrayed by Its Greatest Etchers (New York: Hastings House, 1941).
Chapman, James, The British at War: Cinema, State and Propaganda (London and New York: IB Tauris, 1998).
Chapman, Wayne K. and Janet M. Manson, ‘Carte and Tierce: Leonard, Virginia Woolf, and the War for Peace’, in Virginia Woolf and War: Fiction, Reality, and Myth, ed. Hussey, Mark (Syracuse, NY: Syracuse University Press, 1991), 58–78.
Churchill, Winston, Blood, Toil, Tears and Sweat: The Speeches of Winston Churchill, ed. Cannadine, David (Boston, MA: Houghton Mifflin, 1989).
Clark, T. J., Farewell to an Idea: Episodes from a History of Modernism (New Haven, CT, and London: Yale University Press, 1999).
Conekin, Becky, Mort, Frank and Waters, Chris, eds., Moments of Modernity: Reconstructing Britain 1945–64 (London and New York: Rivers Oram Press, 1999).
Connolly, Cyril, Enemies of Promise (London: Routledge, 1938).
Conrad, Joseph, Heart of Darkness (New York and London: Norton, 2006).
Conrad, Joseph,The Shadow-Line (London: Penguin, 1993).
Cooper, John Xiros, T. S. Eliot and the Ideology of Four Quartets (Cambridge: Cambridge University Press, 1995).
Coward, Noël, The Complete Lyrics, ed. Day, Barry (Woodstock and New York: The Overlook Press, 1998).
Coward, Noël,The Noël Coward Diaries, eds. Payn, Graham and Morley, Sheridan (London: Weidenfeld & Nicolson, 1982).
Coward, Noël,Future Indefinite (London: Heinemann, 1954).
Coward, Noël,Middle East Diary (London: Heinemann, 1944).
Cunningham, Valentine, British Writers of the Thirties (Oxford: Oxford University Press, 1988).
Davies, Alistair, and Sinfield, Alan, eds., British Culture of the Postwar: An Introduction to Literature and Society 1945–1999 (London and New York: Routledge, 2000).
Day, Lewis C., Word Over All (London: Jonathan Cape, 1946).
Groot, Gerard, Blighty: British Society in the Era of the Great War (London and New York: Longman, 1996).
Douglas, Keith, Collected Poems, eds., Waller, John, Fraser, G. S. and Hall, J. C. (London: Faber, 1966).
Dutton, David, Neville Chamberlain (London: Arnold, 2001).
Eliot, T. S., Collected Poems, 1909–1962 (New York, San Diego, CA, and London: Harcourt Brace, 1991).
Eliot, T. S., Selected Prose of T. S. Eliot, ed. Kermode, Frank (San Diego, CA, New York and London: Harcourt, 1975).
Eliot, T. S., For Lancelot Andrewes (London: Faber, 1970).
Eliot, T. S.,‘The Art of Poetry’, Paris Review 21 (1959), 47–70.
Eliot, T. S., Notes Towards the Definition of Culture (London: Faber, 1948).
Eliot, T. S., The Idea of a Christian Society (New York: Harcourt Brace, 1940).
Ellis, Steve, The English Eliot: Design, Language and Landscape inFour Quartets (London and New York: Routledge, 1991).
Viscount, Esher, ‘Freedom from Want’, Horizon 5 (Jan–June 1942), 237–42.
Esty, Jed, A Shrinking Island: Modernism and National Culture in England (Princeton, NJ, and Oxford: Princeton University Press, 2004).
Finney, Brian, ‘Briony's Stand Against Oblivion: The Making of Fiction in Ian McEwan's Atonement’, Journal of Modern Literature 27 (2004), 68–82.
Fitz, Gibbon, Constantine, The Blitz (London: Alan Wingate, 1957).
Ford, Ford Madox, The Good Soldier (Oxford: Oxford University Press, 1999).
Forster, E. M., Howards End (Harmondsworth: Penguin, 2000).
Forster, E. M., Two Cheers for Democracy (London: Edward Arnold, 1951).
Foster, Thomas C., ‘Henry Green’, Review of Contemporary Fiction 20 (2000), 7–40.
Fox, Adam, Dean Inge (London: John Murray, 1960).
Freedman, Jean R., Whistling in the Dark: Memory and Culture in Wartime London (Lexington, KY: University Press of Kentucky, 1999).
Fussell, Paul, Wartime: Understanding and Behavior in the Second World War (New York and Oxford: Oxford University Press, 1989).
Fussell, Paul, Abroad: British Literary Traveling Between the Wars (New York and Oxford: Oxford University Press, 1980).
Fussell, Paul, The Great War and Modern Memory (London, Oxford and New York: Oxford University Press, 1977).
Gąsiorek, Andrzej, Post-War British Fiction: Realism and After (London: Edward Arnold, 1995).
Gibson, Andrew, ‘Henry Green as Experimental Novelist’, Studies in the Novel 16 (1984), 197–214.
Gilbert, Martin, The Second World War (New York: Holt, 1989).
Glendinning, Victoria, Rebecca West: A Life (New York: Knopf, 1987).
Gordon, Lyndall, T. S. Eliot: An Imperfect Life (London: Norton, 1999).
Gorra, Michael, The English Novel at Mid-Century: From the Leaning Tower (New York: St. Martin's, 1990).
Graves, Robert, and Hodge, Alan, The Long Weekend: A Social History of Great Britain 1918–1939 (London: Faber, 1950).
Green, Henry, Concluding (Normal, IL: Dalkey Archive Press, 2000).
Green, Henry,Surviving: The Uncollected Writings of Henry Green, ed. Matthew, Yorke (New York: Viking, 1993a).
Green, Henry, Nothing/Doting/Blindness (Harmondsworth: Penguin, 1993b).
Green, Henry, Loving/Living/Party Going (Harmondsworth: Penguin, 1993c).
Green, Henry, Pack My Bag (London: Hogarth, 1952a).
Green, Henry, Caught (New York: Viking, 1952b).
Green, Henry, Back (New York: Viking, 1950).
Green, Martin, Children of the Sun: A Narrative of ‘Decadence’ in England after 1918 (New York: Wideview, 1980).
Hamilton, Fyfe, The Illusion of National Character (London: Watts & Co., 1940).
Harris, Jose, ‘“Contract”’ and “Citizenship”’, The Ideas that Shaped Post-War Britain, eds. David, Marquand and Anthony, Seldon (London: Fontana, 1996), 135.
Harrisson, Tom, Living through the Blitz (London: Collins, 1976).
Harrisson, Tom,‘War Books’, Horizon 4 (July–Dec 1941), 416–37.
Harrisson, Tom, and Madge, Charles, eds., War Begins at Home (London: Chatto & Windus, 1940).
Harrison, William, ‘A Hogarth “Ghost” of Sorts: Henry Green's Living (1929)’, ANQ 16 (2003), 51–4.
Hartley, Jenny, Millions Like Us: British Women's Fiction of the Second World War (London: Virago, 1997).
Hastings, Selina, Evelyn Waugh: A Biography (London: Sinclair-Stevenson, 1994).
Hendry, J. F., The Bombed Happiness (London: Routledge, 1942).
Hennessy, Peter, Never Again: Britain, 1945–1951 (New York: Pantheon, 1993).
Hewison, Robert, The Heritage Industry: Britain in a Climate of Decline (London: Methuen, 1987).
Hewison, Robert, Under Siege: Literary Life in London (London: Weidenfeld & Nicolson, 1977).
Higonnet, Margaret R., Jenson, Jane, Michel, Sonya and Weitz, Margaret Collins, eds., Behind the Lines: Gender and the Two World Wars (New Haven, CT, and London: Yale University Press, 1987).
Holsinger, M. Paul, and Schofield, Mary Anne, eds., Visions of War: World War II in Popular Literature and Culture (Bowling Green, OH: Bowling Green State University Popular Press, 1992).
Hussey, Mark, ed., Virginia Woolf and War: Fiction, Reality, and Myth (Syracuse, NY: Syracuse University Press, 1991).
Hynes, Samuel, A War Imagined: The First World War and English Culture (New York: Atheneum, 1991).
Ishiguro, Kazuo, The Remains of the Day (New York: Vintage, 1993).
Jameson, Fredric, A Singular Modernity: Essay on the Ontology of the Present (London: Verso, 2002).
Jameson, Fredric, The Seeds of Time (New York: Columbia University Press, 1994).
Jameson, Storm, London Calling: A Salute to America (New York and London: Harper & Brothers, 1942).
Joad, C. E. M., ‘The Face of England: How It Is Ravaged and How It May Be Preserved’, Horizon 5 (Jan–June 1942), 335–48.
Joad, C. E. M., For Civilization (London: Macmillan, 1940).
Judt, Tony, Postwar: A History of Europe since 1945 (New York: Penguin, 2005).
Keegan, John, The Second World War (London: Hutchinson, 1989).
Keen, Suzanne, Romances of the Archives in Contemporary British Fiction (Toronto, ON: University of Toronto Press, 2001).
Keynes, John Maynard, ‘My Early Beliefs’, in The Bloomsbury Group: A Collection of Memoirs and Commentary ed. Rosenbaum, S.P, (Toronto, ON, Buffalo, NY, and London: University of Toronto Press, 1995), 82–97.
Keynes, John Maynard, The Economic Consequences of the Peace (New York: Penguin, 1988).
Keynes, John Maynard, How to Pay for the War: A Radical Plan for the Chancellor of the Exchequer (London: Macmillan, 1940).
Knowles, Sebastian D. G., A Purgatorial Flame: Seven British Writers in the Second World War (Philadelphia, PA: University of Pennsylvania Press, 1990).
Larkin, Philip, Collected Poems (London: The Marvell Press and Faber & Faber, 1989).
Lassner, Phyllis, British Women Writers of WWII: Battlegrounds of Their Own (Basingstoke: Macmillan, 1998).
Latham, Sean, Am I a Snob? Modernism and the Novel (Ithaca, NY, and London: Cornell University Press, 2003).
Lawrence, D. H., Lady Chatterley's Lover (New York: Modern Library, 2001).
Leader, Zachary, ed., On Modern British Fiction (Oxford: Oxford University Press, 2002).
Leavis, Q. D., ‘The Englishness of the English Novel’, Collected Essays, 3 vols. Vol. 1, ed. Singh, G. (Cambridge and London: Cambridge University Press, 1983), 303–27.
Lees-Milne, James, ‘Henry Yorke and Henry Green 1905–1973’, Fourteen Friends (London: John Murray, 1996), 122–31.
Lehmann, John, New Writing in Europe (Harmondsworth: Penguin, 1940).
Levenson, Michael. ‘Does The Waste Land Have a Politics?’Modernism/Modernity 6, 3 (September 1999), 1–13.
Lewis, Wyndham, Blasting and Bombardiering (Berkeley and Los Angeles, CA: University of California Press, 1967).
Lewis, Wyndham, Men without Art (London: Cassell, 1934).
Lewis, Wyndham, The Art of Being Ruled (New York and London: Harper & Brothers, 1926).
Lobb, Edward, ed., Words in Time: New Essays on Eliot's Four Quartets (Ann Arbor, MI: University of Michigan Press, 1993).
Lloyd George, David, The Truth about the Peace Treaty, 2 vols. (London: Gollancz, 1938).
Lodge, David, ‘Pratt & Van’, The New Statesman 100 (1980), 26.
Low, David, Low on the War: A Cartoon Commentary of the Years 1939–1941 (New York: Simon & Schuster, 1941).
Lowenthal, David, The Past Is a Foreign Country (Cambridge: Cambridge University Press, 1985).
MacDiarmid, Hugh, Complete Poems 1920–1976, 2 vols., eds. Grieve, Michael and Aitken, W. R. (London: Martin Brian & O’Keefe, 1978).
McEwan, Ian, Atonement (New York: Anchor, 2003).
Macmanus, M. J., ‘Eire and the World Crisis’, Horizon 5 (Jan–June 1942), 18–22.
Lord, Macmillan, Recording Britain (London: Oxford University Press in association with the Pilgrim Trust, 1946).
Malinowski, Bronislaw, Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea (London: Routledge, 1922).
Mansfield, Katherine, ‘The Daughters of the Late Colonel’, Selected Stories, ed. O'sullivan, Vincent (New York and London: Norton, 2006), 213–29.
Mansfield, Katherine,The Collected Letters of Katherine Mansfield, Volume Three, 5 vols., eds. O'sullivan, Vincent and Scott, Margaret (Oxford: Clarendon, 1993).
Mantel, Hilary, ‘No Passes or Documents Are Needed: The Writer at Home in Europe’, in On Modern British Fiction, ed. Zachary, Leader (Oxford: Oxford University Press, 2002), 93–106.
Mantoux, Etienne, The Carthaginian Peace, or The Economic Consequences of Mr. Keynes (New York: Scribner, 1952).
Marcus, Laura, Virginia Woolf (Plymouth: Northcote House, 1997).
Marcus, Laura, and Nicholls, Peter, eds., The Cambridge History of Twentieth-Century English Literature. (Cambridge: Cambridge University Press, 2004).
Marwick, Arthur, Culture in Britain since 1945 (Oxford: Blackwell, 1991).
Masterman, C. F. G., The Condition of England (London: Methuen, 1960).
Mengham, Rod, The Idiom of the Time: The Writings of Henry Green (Cambridge: Cambridge University Press, 1982).
Mengham, Rod and Reeve, N. H., eds., The Fiction of the 1940s: Stories of Survival, (Basingstoke: Palgrave, 2001),
Mepham, John, Virginia Woolf: A Literary Life (New York: St. Martin's, 1991).
Middleton, Peter, ‘The Masculinity behind the Ghosts of Modernism in Eliot's Four Quartets’, in Gender, Desire, and Sexuality in T. S. Eliot, eds. Laity, Cassandra and Gish, Nancy K, (Cambridge: Cambridge University Press, 2004), 83–104.
Miller, Kristine, ‘The Wars of the Roses: Sexual Politics in Henry Green's Back’, Modern Fiction Studies 49 (2003), 228–45.
Miller, Tyrus, Late Modernism: Fiction, Politics, and the Arts Between the World Wars (Berkeley, CA: University of California Press, 1999).
Mitchison, Naomi, Letter to the Editor, Time and Tide 20 (1939), 1651.
Mitchison, Naomi, Vienna Diary (New York: Harrison Smith and Robert Hass, 1934).
Montefiore, Janet, Men and Women Writers of the 1930s: The Dangerous Flood of History (London and New York: Routledge, 1996).
Morris, Benny, The Roots of Appeasement: The British Weekly Press and Nazi Germany during the 1930s (London: Frank Cass, 1991).
Muggeridge, Malcolm, The Thirties: 1930–1940 in Great Britain (London: Collins, 1967).
Munton, Alan, English Fiction of the Second World War (London: Faber, 1989).
Murrow, Edward R., This Is London, ed. Davis, Elmer (New York: Simon & Schuster, 1941).
Nicolson, Harold, Peacemaking 1919 (London: Constable, 1945).
Nicolson, Harold, Why Britain Is at War (Harmondsworth: Penguin, 1939).
Noakes, Lucy, War and the British: Gender, Memory and National Identity (London and New York: IB Tauris, 1998).
North, Michael, Reading 1922: A Return to the Scene of the Modern (Oxford and New York: Oxford University Press, 1999).
North, Michael, Henry Green and the Writing of His Generation (Charlottesville, VA: University Press of Virginia, 1984).
O’Brien, Kate, The Last of Summer (London: Heinemann, 1943).
Odom, Keith C., ‘An Interview with John Lehmann about Henry Green’, Twentieth-Century Literature 29 (1983), 395–402.
Onlooker [pseud.], ‘Two Germanies?’ The Listener 23 (Jan–June 1940), 478.
Orwell, George, The Collected Essays, Journalism and Letters of George Orwell, 4 vols., vol. 1, eds. Orwell, Sonia and Angus, Ian (London: Secker & Warburg, 1968), 274.
Orwell, Joseph, Homage to Catalonia (New York: Harcourt, 1952).
Panter-Downes, Mollie, London War Notes: 1939–1945, ed. Shawn, William (New York: Farrar, Straus & Giroux, 1971).
Pawlowski, Merry M., ed., Virginia Woolf and Fascism: Resisting the Dictators’ Seduction (Basingstoke and New York: Palgrave, 2001).
Piette, Adam, The Imagination at War: British Fiction and Poetry 1939–1945 (Basingstoke: Macmillan, 1995).
Plain, Gill, Women's Fiction of the Second World War: Gender, Power and Resistance (Edinburgh: Edinburgh University Press, 1996).
Ponting, Clive, 1940: Myth and Reality (London: Hamish Hamilton, 1990).
Pope-Hennessy, James, and Beaton, Cecil, History Under Fire: 52 Photographs of Air Raid Damage to London Buildings, 1940–41 (London: B. T. Batsford, 1941).
Priestley, J. B., ‘The War – and After’, Horizon 1 (Jan–July 1940), 15–19.
Rainey, Lawrence, Institutions of Modernism: Literary Elites and Public Culture (New Haven, CT and London: Yale University Press, 1998).
Rawlinson, Mark, British Writing of the Second World War (Oxford: Oxford University Press, 2000).
Read, Herbert, ‘Art in an Electric Atmosphere’, Horizon 3 (Jan–June 1941), 308–13.
Rose, Norman, Vansittart: Study of a Diplomat (London: Heinemann, 1978).
Russell, John, ‘Limbo States: The Short Stories of Henry Green’, Twentieth-Century Literature 29 (1983), 447–54.
Sansom, William, Westminster in War (London: Faber, 1947).
Scanlan, Margaret, Traces of Another Time: History and Politics in Postwar British Fiction (Princeton, NJ: Princeton University Press, 1990).
Schimanski, Stefan, and Treece, Henry, eds., A New Romantic Anthology (London: The Grey Walls Press, 1949).
Schneider, Karen, Loving Arms: British Women Writing the Second World War (Lexington, KY: The University Press of Kentucky, 1997).
Schuchard, Ronald, ‘“If I Think, Again, of This Place”: Eliot, Herbert and the Way to “Little Gidding,”’, in Words in Time: New Essays on Eliot's Four Quartets, ed. Lobb, Edward (Ann Arbor, MI: University of Michigan Press, 1993).
Schweizer, Bernard, Radicals on the Road: The Politics of English Travel Writing in the 1930s (Charlottesville, VA, and London: University Press of Virginia, 2001).
Sherry, Vincent, The Great War and the Language of Modernism (Oxford and New York: Oxford University Press, 2003).
Shires, Linda M., British Poetry of the Second World War (New York: St. Martin's, 1985).
Sinfield, Alan, Literature, Politics and Culture in Postwar Britain, 2nd ed (London and Atlantic Highlands, NJ: Athlone, 1997).
Skidelsky, Robert, John Maynard Keynes, 1883–1946: Economist, Philosopher, Statesman (London: Macmillan, 2003).
Smith, Malcolm, Britain and 1940: History, Myth, and Popular Memory (London and New York: Routledge, 2000).
Snaith, Anna, Virginia Woolf: Public and Private Negotiations (New York: St. Martin's, 2000).
Spark, Muriel, The Girls of Slender Means (Harmondsworth: Penguin, 1966).
Spender, Stephen, World within World (New York: Random House, 2001).
Spender, Stephen,‘How Shall We Be Saved?’Horizon 1 (Jan–July 1940), 51–6.
Stevenson, Randall, The British Novel since the Thirties: An Introduction (Athens, GA: University of Georgia Press, 1986).
Stonebridge, Lyndsey, ‘Bombs and Roses: The Writing of Anxiety in Henry Green's Caught,’ Diacritics 28 (1998), 25–43.
Stout, Janis P., Coming Out ofWar: Poetry, Grieving, and the Culture of the World Wars (Tuscaloosa, AL: University of Alabama Press, 2005).
Su, John J., ‘Refiguring National Character: The Remains of the British Estate Novel’, Modern Fiction Studies 48 (2002), 552–80.
Suleiman, Susan Rubin, Crises of Memory and the Second World War (Cambridge, MA, and London: Harvard University Press, 2006).
Taylor, A. J. P., The Origins of the Second World War (London: Hamish Hamilton, 1961).
Taylor, D. J., After the War: The Novel and English Society since 1945 (London: Chatto & Windus, 1993).
Thirkell, Angela, Cheerfulness Breaks In (New York: Knopf, 1941).
Thomas, Hugh, ed., The Establishment (London: Anthony Blond, 1959).
Tiratsoo, Nick, ed., From Blitz to Blair: A New History of Britain since 1939 (London: Weidenfeld & Nicolson, 1997).
Titmuss, Richard M., Problems of Social Policy (London: HMSO, 1950).
Torgovnick, Marianna, The War Complex: World War II in Our Time (Chicago, IL: Chicago University Press, 2005).
Treece, Henry, How I See Apocalypse (London: Lindsay Drummond, 1946).
Treece, Henry, Invitation and Warning (London: Faber, 1942).
Treglown, Jeremy, Romancing: The Life and Work of Henry Green (London: Faber, 2000).
Lord, Vansittart, The Mist Profession: The Autobiography of lord Vansittart (London: Hutchinson, 1958).
Lord, Vansittart, The Roots of the Trouble and The Black Record of Germany, Past, Present and Future? (New York: Avon, 1944).
Wasserstein, Bernard, Britain and the Jews of Europe 1939–1945, 2nd edn (London and New York: Leicester University Press in association with the Institute for Jewish Policy Research, 1999).
Waugh, Evelyn, The Sword of Honour Trilogy (New York: Knopf, 1994).
Waugh, Evelyn, The Essays, Articles and Reviews of Evelyn Waugh, ed. Gallagher, Donat (London: Methuen, 1983).
Waugh, Evelyn, The Letters of Evelyn Waugh, ed. Amory, Mark (London: Weidenfeld & Nicolson, 1980).
Waugh, Evelyn, The Diaries of Evelyn Waugh, ed. Davie, Michael (London: Weidenfeld & Nicolson, 1976).
Waugh, Evelyn, Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (Boston, MA: Little, Brown, 1973).
Waugh, Evelyn, Put Out More Flags (Boston, MA: Little, Brown, 1970).
Waugh, Evelyn, A Little Learning: An Autobiography by Evelyn Waugh, The Early Years (Boston, MA: Little, Brown, 1964).
Waugh, Evelyn,‘Preface’, Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (Harmondsworth: Penguin, 1959), 7–8.
Waugh, Evelyn,[as ‘Combatant’, pseud.] ‘Letter: Why Not War Writers’, Horizon 4 (July–Dec 1941), 437–8.
West, Rebecca, Selected Letters of Rebecca West, ed. Kime Scott, Bonnie, (New Haven, CI, and London: Yale University Press, 2000).
West, Rebecca, The Return of the Soldier (London: Virago, 1996).
West, Rebecca, Black Lamb and Grey Falcon: A Journey Through Yugoslavia (Edinburgh: Canongate, 1993).
WestRebecca, ,‘Introduction’, Emma Goldman, My Disillusionment in Russia (Gloucester, MA: Peter Smith, 1983), ix.
West, Rebecca,The Young Rebecca: Writings of Rebecca West, ed. Marcus, Jane (London and Basingstoke: Macmillan, in association with Virago, 1982).
West, Rebecca, The New Meaning of Treason (New York: Viking, 1964).
West, Rebecca,‘Confessions of Lord Vansittart’, The Sunday Times 4 May 1958, 6.
West, Rebecca, The Meaning of Treason (New York: Viking, 1949).
West, Rebecca,‘Notes on the Way’, Time and Tide 23 (June–Dec 1942), 401–3, 853–5.
Whiting, Richard, The Labour Party and Taxation: Party Identity and Political Purpose in Twentieth-Century Britain (Cambridge: Cambridge University Press, 2000).
Williams, , Blakeney, Louise, Modernism and the Ideology of History (Cambridge: Cambridge University Press, 2002).
Williams, Raymond, The Politics of Modernism: Against the New Conformists, ed. Pinkney, Tony (London: Verso, 1989).
Williams, Raymond, Marxism and Literature (Oxford and New York: Oxford University Press, 1977).
Williams, Raymond, The Country and the City (New York: Oxford University Press, 1973).
Wilson, Angus, Diversity and Depth in Fiction: Selected Critical Writings of Angus Wilson, ed. McSweeney, Kerry (London: Secker & Warburg, 1983).
Wilson, Angus, Setting the World on Fire (London: Secker & Warburg, 1980).
Wilson, Angus, The Old Men at the Zoo (London: Secker & Warburg, 1961).
Wipf-Miller, Carol, ‘Fictions of “Going Over”: Henry Green and the New Realism’, Twentieth-Century Literature 44 (1998), 135–54.
Wollaeger, Mark A., ‘The Woolfs in the Jungle: Intertextuality, Sexuality, and the Emergence of Female Modernism in The Voyage Out, The Village in the Jungle, and Heart of Darkness’, Modern Language Quarterly 64 (2003), 33–69.
Woolf, Leonard, The Journey Not the Arrival Matters (London: Hogarth, 1969).
Woolf, Leonard, The War For Peace (London: Routledge, 1940).
Woolf, Virginia, The Voyage Out (New York: Modern Library, 2001).
Woolf, Virginia, The Common Reader: First Series (Harvest: San Diego, CA, New York and London, 1994).
Woolf, Virginia,The Complete Shorter Fiction of Virginia Woolf, ed. Dick, Susan (San Diego, CA, New York and London: Harcourt Brace Jovanovich, 1985).
Woolf, Virginia,‘A Sketch of the Past’, Moments of Being, 2nd edn, ed. Schulkind, Jeanne (San Diego, New York and London: Harcourt, 1985), 64–159.
Woolf, Virginia,The Diary of Virginia Woolf, 5 vols., eds. Olivier Bell, Anne and McNeillie, Andrew (London: Hogarth, 1984).
Woolf, Virginia,The Letters of Virginia Woolf, 6 vols., ed. Nicolson, Nigel (London: Hogarth, 1980).
Woolf, Virginia, To the Lighthouse (New York and London: Harcourt Brace Jovanovich, 1981).
Woolf, Virginia,‘Anon’, in Brenda R. Silver, “Anon” and “The Reader”: Virginia Woolf's Last Essays’, Twentieth-Century Literature 25 (1979), 356–441.
Woolf, Virginia, Between the Acts (San Diego, CA, New York and London: Harcourt, 1969).
Woolf, Virginia, Three Guineas (San Diego, CA, New York and London: Harcourt, 1966).
Woolf, Virginia, The Moment and Other Essays (London: Hogarth, 1947).
Woolf, Virginia, The Death of the Moth and Other Essays (New York: Harcourt Brace, 1942).
Woolf, Virginia, Jacob's Room (New York: Harcourt Brace, 1923).
Wright, Patrick, On Living in an Old Country: The National Past in Contemporary Britain (London: Verso, 1985).
Zwerdling, Alex, Virginia Woolf and the Real World (Berkeley and Los Angeles, CA, and London: University of California Press, 1986).
