Book contents
- Frontmatter
- CONTENTS
- Acknowledgements
- Introduction
- Select Bibliography
- Note on the Texts
- Marie Jeanne Riccoboni, Letters from Juliet Lady Catesby, to her Friend Lady Henrietta Campley, trans. Frances Brooke
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII
- LETTER XXXIX
- Françoise de Graffigny, The Peruvian Letters, trans. Miss R. Roberts
- PREFACE
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII, and last
- Volume II
- LETTER XXXIX
- LETTER XL
- LETTER XLI
- LETTER XLII
- LETTER XLIII
- LETTER XLIV
- LETTER XLV
- LETTER XLVI
- LETTER XLVII
- LETTER XLVIII
- LETTER XLIX
- LETTER L
- LETTER LI
- LETTER LII
- LETTER LIII
- LETTER LIV
- LETTER LV
- LETTER LVI
- LETTER LVII
- LETTER LVIII
- LETTER LIX
- LETTER LX
- LETTER LXI
- LETTER LXII
- LETTER LXIII
- LETTER LXIV
- LETTER LXV
- LETTER LXVI
- LETTER LXVII
- Editorial Notes
- Textual Variants
- Silent Corrections
LETTER VIII
- Frontmatter
- CONTENTS
- Acknowledgements
- Introduction
- Select Bibliography
- Note on the Texts
- Marie Jeanne Riccoboni, Letters from Juliet Lady Catesby, to her Friend Lady Henrietta Campley, trans. Frances Brooke
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII
- LETTER XXXIX
- Françoise de Graffigny, The Peruvian Letters, trans. Miss R. Roberts
- PREFACE
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII, and last
- Volume II
- LETTER XXXIX
- LETTER XL
- LETTER XLI
- LETTER XLII
- LETTER XLIII
- LETTER XLIV
- LETTER XLV
- LETTER XLVI
- LETTER XLVII
- LETTER XLVIII
- LETTER XLIX
- LETTER L
- LETTER LI
- LETTER LII
- LETTER LIII
- LETTER LIV
- LETTER LV
- LETTER LVI
- LETTER LVII
- LETTER LVIII
- LETTER LIX
- LETTER LX
- LETTER LXI
- LETTER LXII
- LETTER LXIII
- LETTER LXIV
- LETTER LXV
- LETTER LXVI
- LETTER LXVII
- Editorial Notes
- Textual Variants
- Silent Corrections
Summary
Tuesday, Winchester.
You ask me, how I spend my time, with whom I am, and who of my present companions are most agreeable to me. Alas! I am weary of myself; I am with all the world, and no-body pleases me enough to engage my attention. We are here, fifteen, or sixteen of us from London, without counting the neighbouring people of fashion, of whom the house is always full. This continual crowd rather distracts than amuses me.
Lord Wilton has a violent passion for the fine arts: He has laboured hard to acquire them, but Nature has denied him the talents which bring them into view, and that taste, which only can give them perfection. With a strong voice, he sings disagreeably; and dances with a bad grace, though industriously exact in the steps. He designs correctly, paints little screens, which are neither pretty nor ugly; and makes detestable verses with great facility. Every day gives birth to a thousand couplets, and madrigals, in which Cupid, Venus, Hebe, all Olympus, find themselves,31 whether they will or no, at the feet of the terrestrial divinities of the castle. – You assume, when you arrive, the name which rhyme is pleased to confer on you. As to the rest, my Lord is a worthy man; I do not believe he has a fault, except that of desiring to be what he is not. Born with simplicity, courtesy, and a moderate understanding, if he had not pretended to superiority, he had escaped the mortification of seeing himself ridiculous. His lady. – But some-body comes. – Who is it? – Ah! who can it be but Sir Harry! – But who has subjected me to Sir Harry's importunities? Why must I suffer them? What right has he to weary me thus? Ah! my dear Henrietta, what enemy to the human race, invented that falshood, which, under the name of politeness, commands our civilities, and forces us to constrain ourselves? – This troublesome creature gets admittance into my closet; insensibly he gains ground; he is always at my side.
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- Information
- Translations and ContinuationsRiccoboni and Brooke, Graffigny and Roberts, pp. 9 - 11Publisher: Pickering & ChattoFirst published in: 2014