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This chapter discusses IST itself as well as the research design of the book. It provides a detailed exposition of the key variables of the theory: the status-seeking strategies of rising powers, institutional openness, and procedural fairness. It discusses the causal mechanism that explains the impact of openness and fairness on a rising power’s status and corresponding choice of strategy. It generates four possible strategies a state may follow: cooperate, challenge, expand, and reframe. On research design, the chapter describes the scope conditions of the theory, definitions of key concepts, case selection, research methodology and sources, and the observable implications of the theory and how they differ from the observable implications of alternative (materialist) explanations.
This essay explores how the drafters of international humanitarian law (IHL) incorporated the past into their work between 1860 and 2020, and how they approached time, memory and history as indicators for this view of the past. Its sources consist of the complete series of general conventional and customary IHL instruments as well as the leading commentaries on them. For the IHL view of time, the impact of legal principles on the perception of time is scrutinized. Balancing nonretroactivity against customary international law and the humanity principle broadens the temporal scope towards the past, while balancing legal forgetting against imprescriptibility and State succession broadens it towards the future. For the IHL view of memory, dead persons and cultural heritage are seen as crucial vectors. Attention to the fate of the dead has been a constant hallmark of IHL, while care for cultural heritage has an even longer pedigree. For the IHL view of history, the essay highlights that the International Committee of the Red Cross has consistently advocated State duties to the war dead and has organized an archival infrastructure to satisfy the need – later converted into a right – of families and society to search for the historical truth about them.
Furthermore, the responses of IHL drafters to five major historical challenges are examined. First, while in the realm of war crimes impunity prevailed for most of history, after World War II a system of war crimes trials was mounted, culminating in the International Criminal Court. Second, soul-searching about the atrocities of World War II, including the Holocaust, helped create Geneva Convention IV of 1949, which protects civilians in wartime. Third, the human rights idea was not fully embraced by IHL treaty drafters until 1968. Fourth, the IHL approach to civil wars was slow and incomplete, but its appearance in 1949 and coming of age in 1977 were breakthroughs nevertheless. Fifth, colonial conflicts were not recognized as international wars in 1949, when this could have had considerable impact, but only in 1977, when decolonization was largely over. In all cases, the responses to these historical challenges came after long delays. Clearly, the IHL view of the past has to be assessed on a transgenerational scale.
Digitization of archival materials has made it easier not only to analyze queer history during the Gilded Age and Progressive Era, but also to include these sources in the classroom. For instructors interested in incorporating queer history into their classrooms, this piece highlights specific examples of these queer primary sources and what they reveal about the queer past. Focusing specifically on criminal statutes, legal records, newspaper articles, medical discourse, and firsthand accounts, this introduction to queer archival sources emphasizes how these sources can be incorporated into class lectures and discussions, as well as directing attention to where similar examples can be found online in digital archives and databases.
Adventures in Childhood connects modern intellectual property law and practice with a history of consumption. Structured in a loosely chronological order, the book begins with the creation of a children's literature market, a Christmas market, and moves through character merchandising, syndicated newspaper strips, film, television, and cross-industry relations, finishing in the 1970s, by which time professional identities and legal practices had stabilized. By focusing on the rise of child-targeted commercial activities, the book is able to reflect on how and why intellectual property rights became a defining feature of 20th century culture. Chapters trace the commercial empires that grew around Alice in Wonderland, Peter Rabbit, Meccano, Felix the Cat, Mickey Mouse, Peter Pan, Eagle Magazine, Davy Crockett, Mr Men, Dr Who, The Magic Roundabout and The Wombles to show how modern intellectual property merchandising was plagued with legal and moral questions that exposed the tension between exploitation and innocence.
This essay offers an overview of major themes, texts, and critical approaches to early African American print culture. It traces movements in early nineteenth-century African American print culture from the founding of Freedom’s Journal and publication of David Walker’s Appeal through the proliferation of pseudonymous writing in Frederick Douglass’s Paper and the work of the colored conventions movement. In addition, this essay examines the ethics animating the field itself with special attention to new digital humanities projects.
With the rise of digital technologies the number and diversity of related tools (such as phones, computers, 3-D printers, etc.) have markedly increased. This chapter examines how digital objects and other new technologies alter human experiences with the material world.
If Underworld was primarily responsible for bringing DeLillo into worldwide critical consideration, his new global audiences have not stopped reading him. Once the darling of a coterie of American academics, DeLillo now belongs to the world.
This chapter shows how biographical research can lead us to better understand the legal and political dynamics that prevailed in the court during the 1960s and 1970s. The chapter presents an innovative use of biographies in the sense that they are not a goal in themselves, but a means to create primary sources to study the court's institutional behaviour and its power struggle with national governments. This biographical methodology uncovered that the bench of judges which ‘revolutionized’ European law in the 1960s and 1970s was not as isolated and apolitical as existing literature had portrayed as so far. The judges could rely on a vast political network, which not only helped them in assessing how far they could push the integration process further in their rulings, but which was also useful when it came to persuading national decision-makers of the fact that the court’s rulings were in their interest. The chapter further addresses the challenges raised by the biographical approach and gives an account of the research strategies adopted to unearth empirical material on mostly unknown judges coming from different national, legal and professional backgrounds.
The Cairo Genizah is well known as a repository for hundreds of thousands of manuscripts that the Jewish residents of Fustat (Old Cairo) produced and consumed in the premodern period. Foreign “collectors” acquired most of these manuscripts for European libraries in the second half of the nineteenth century, with the majority arriving at the Cambridge University Library in 1897 under the auspices of Solomon Schechter. Less well known is the fact that hundreds of Genizah fragments were produced in the late nineteenth century, even as European collectors were scouring Cairo for ancient texts. This later corpus includes witnesses to the social and economic history of late Ottoman Cairo and provides copious evidence for the material history of Egyptian Jewish literary activity at that time. Despite this, it remains understudied for both Ottoman and Jewish history. Late Genizah material also raises questions about the integrity of “Cairo Genizah” manuscript collections around the world, as some fragments postdate Schechter's Genizah “discovery,” and others were never in Egypt at all.
Over the last few decades, an extraordinary amount has changed in our understanding of the history of international humanitarian law (IHL). This article addresses the latest findings in this new historiography, placing contemporary IHL issues in a broader historical context and sharing the author's own experiences as a researcher exploring the discipline's practice from a historical perspective. Ultimately, he makes a passionate case for history – by showing why this discipline has a lot to offer for practitioners of international law.
This article focuses on the production of archaeological knowledge within the fieldwork archive. Archaeological archives do not always reflect the reality of evidence uncovered during fieldwork processes or even the fieldwork processes themselves. This includes the many different agents and agencies, which are crucial to the construction of archaeological knowledge and their representation—or lack of representation—in the archive. Archaeological archives impose restrictions on how knowledge is included in a collection, the way it is recorded, and the fieldwork processes used. Therefore, this article considers the way in which the processes of archival documentation produce, transform, and construct archaeological knowledge. The main examples are from the British School of Archaeology in Egypt's excavations at Abydos between 1921 and 1922, often referred to as the Tombs of the Courtiers and directed by Flinders Petrie. Looking at the different contexts of an excavation archive, from before its creation to its ongoing curation and use, can reveal significant aspects not just of the history of archaeology but also on many of the ongoing recording methods and processes still used in the field today.
Computational information processing has gradually supplanted traditional records and recordkeeping for the physical record, undermining practices centered on the “moral defense” of the record and supplanting them with practices centred on datafication. Prioritizing data malleability rather than the defense of information from manipulation and corruption has, this chapter argues, contributed to the current diminution of the trustworthiness of information and an unravelling of society’s evidentiary foundations. Fields such as archival science and the law have long considered questions of how records may testify to the events and actions of which they form a part – serving as proofs of claims, that is, as evidentials – but research in the field of computing has only relatively recently focused on these issues. Despite its roots in computing culture, blockchain technology offers the promise of an immutable ledger that may halt the processes of datafication contributing to the current widespread potential for manipulation of records. The design and spirit of blockchains – offering the ability to cryptographically “fix” the record, chaining it in place so that any tampering is extremely difficult and immediately evident – harks back to a pre-digital past when the materiality of paper records more readily fixed in place transactional “facts” and protected their integrity from manipulation.
This chapter examines how and why Black dramatists and dramas of the Federal Theatre Project (FTP) were forgotten and the role of the Black Arts Movement in recovering the repertoire of Black federal theatre. Only a fraction of the Black plays held in the FTP archives have been anthologized or staged since the 1930s. This chapter examines the broad range of Black dramas developed on the project and still waiting to be surfaced. It focuses in particular on two neglected Black folk dramas: Did Adam Sin? and Cinda, alongside Theodore Ward’s better known social protest drama Big White Fog. Black playwrights and Negro Units dramatized the Depression as it unfolded. The chapter also roots the Black family drama within a longer Black dramatic tradition. Rather than see August Wilson’s Pittsburgh Cycle plays as stretching back to a tradition beginning with Richard Wright’s collaboration with Paul Green on the stage play of Native Son (1941) or Lorraine Hansberry’s Raisin in the Sun (1959), sourcing contemporary Black drama to the Black federal theatre suggests that the staging of contemporary gender roles and race relations has a much longer and richer theatre history.
The discipline of “diplomatics” – originating in the seventeenth century to systematically test the authenticity of medieval documents – has more recently been adapted to the study of digital records and their systems. In establishing the necessary elements for the long-term preservation of authentic records, archival diplomatics provides one possible (and powerful) analytic framework and methodology for analyzing the trustworthiness of records, including those to be found in blockchain and distributed ledgers. Regardless of the type of blockchain and distributed ledger system under examination, each relies upon trust in the ledger and in the records the ledger contains. Yet each type of blockchain and distributed ledger system still has limitations when judged against archival diplomatic standards of records’ trustworthiness, which demands the accuracy, reliability, and authenticity of records. By gaining an understanding of the elemental requirements for trust in records (and in record systems), there is hope that the designers of blockchain and distributed ledger systems might continue to improve the evidentiary quality of blockchain records and recordkeeping.
“Dear John” letters have loomed large in American war-lore ever since GIs first coined the phrase in World War II. Receiving a break-up note from a wife, fiancée, or girlfriend has come to appear a rite of passage for men in uniform. The motif of female treachery and male tragedy circulates both in the stories servicemen and veterans tell one another and in US culture more broadly – in pop music, movies, and novels. Yet no prior author has devoted a book to the “Dear John” phenomenon. That virtually no bona fide specimens exist in archival collections helps explain this lacuna. But the fact that so many “Dear Johns” were physically destroyed soon after receipt doesn‘t make these letters impossible to study. Instead of regarding Dear Johns as a female-authored epistolary genre, we should conceive these letters as the product of a male vernacular tradition. Men have told us most of what we know about how and why women composed these letters, and the effects they‘ve had on recipients. This book explores the interplay between letter-writing and story-telling, inviting readers to contemplate why love is so hard to sustain in wartime.
Who was ‘Mrs Valentine’? The prologue takes an archival deep dive to investigate whether the unsigned Chandos Shakespeare, published by Frederick Warne in 1868, was edited by a woman, Laura Jewry Valentine. This exploration establishes the gaps and misunderstandings surrounding women’s involvement in Shakespearean editorial history.
Chapter 1 examines the process of suppression in the 1530s, using memory as a tool for rethinking our approach to this episode. With sensitivity to the language employed by the Henrician government, it characterises the dissolution as a long and uncertain process that can be separated into two main phases: the ‘reformation of the monasteries’ and the ‘surrender of the monasteries’. It pays particular attention to the emergence of narratives of monastic corruption and the expediency of suppression because, it argues, these are the themes that modern scholarship has inherited from its largely Henrician source base. It is the success and longevity of this triumphalist narrative that the remainder of the book sets out to test, complicate, and unravel. This chapter also notes the emergence of early critiques of the dissolution – Catholic, conservative, and evangelical – which are traced alongside the narratives propagated and perpetuated by Tudor governments with a view to highlighting the complexity and diversity of the early modern memory of the dissolution. Crucially, the chapter highlights the prevalence and persistence of the idea that the monasteries were irredeemably corrupt across different confessional perspectives, as well as across time and space.
The dissolution of the monasteries was recalled by individuals and communities alike as a seismic rupture in the religious, cultural, and socio-economic fabric of early modern England. It was also profoundly important in shaping contemporary historical consciousness, the topographical imagination, and local tradition. Memory and the Dissolution is a book about the dissolution of the monasteries after the dissolution. Harriet Lyon argues that our understanding of this historical moment is enriched by taking a long chronological view of the suppression, by exploring how it was remembered to those who witnessed it and how this memory evolved in subsequent generations. Exposing and repudiating the assumptions of a conventional historiography that has long been coloured by Henrician narratives and sources, this book reveals that the fall of the religious houses was remembered as one of the most profound and controversial transformations of the entire English Reformation.