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32 - Giorgio Agamben

from III - CINEMATIC NATURE

Christian McCrea
Affiliation:
Swinburne University of Technology
Felicity Colman
Affiliation:
Manchester Metropolitan University
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Summary

Giorgio Agamben (b. 1942) is an Italian philosopher best known for his political treatises in which the decay of the citizen and the abolition of civil rights are held to account, in such works as The State of Exception (2003; English trans. 2005), Homo Sacer (1995; English trans. 1998), Stanzas (1977; English trans. 1993), Means Without End (1996; English trans. 2000) and Remnants of Auschwitz (1998; English trans. 1999). Agamben is Professor of Aesthetics at the University of Verona, Italy. He holds the Baruch Spinoza Chair at the European Graduate School in Saas-Fee, Switzerland and also teaches philosophy at the Collège International de Philosophie in Paris and at the University of Macerata in Italy. His fascination with the power of images, and their relationships to gestures and language, is marked throughout his writings, and he has published some brief essays concerning cinema, “Notes on Gesture” (1992), “Difference and Repetition: On Guy Debord's Films” (1995) and “The Six Most Beautiful Minutes in the History of Cinema” (2007).

The Italian philosopher Giorgio Agamben has been rapidly taken up by scholars working in a variety of fields in the past decade as his work concerns some of the most pressing and complex elements of contemporary life. While the rethinking of sovereignty and the rights of the individual are his most famous philosophical enquiries, his work traverses many fields, including biblical research, aesthetics and art history. Agamben has received a great deal of critical attention for his work on “bare life” and the reframing of our collective subjectivity given the contemporary status of the refugee.

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Film, Theory and Philosophy
The Key Thinkers
, pp. 349 - 358
Publisher: Acumen Publishing
Print publication year: 2009

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