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23 - Raymond Bellour

from III - CINEMATIC NATURE

By
Michael Goddard
Edited by
Felicity Colman
Michael Goddard
Affiliation:
University of Salford
Felicity Colman
Affiliation:
Manchester Metropolitan University
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Summary

Raymond Bellour (b. 1939) is a film theorist and critic. From 1986, he taught in the department for cinema and audiovisual studies at the University of Paris III: Sorbonne Nouvelle, and he has also been a visiting professor at New York University and the University of California, Berkeley. He is the Director of Research Emeritus, Centre National de Recherches Scientifiques (CNRS), Paris. In 1991, with Serge Daney, he formed the journal Trafic. His published theory and critical work includes Le Livre des autres, entretiens, 10/18 (1978), The Analysis of Film (1979; English trans. 1995), Henri Michaux (1986), Mademoiselle Guillotine (1989), L'Entre-images: Photo. Cinéma. Vidéo (1990), Jean-Luc Godard: Son + Image 1974–1991 (1992), Oubli, textes, La Différance (1992), L'entre-images 2 (1999), Partages de l'ombre, textes, La Différance (2002) and Le Corps du cinéma (2009).

INTRODUCTION

The image of the cinematic thought of Raymond Bellour in English-language contexts is an incomplete one, still framed to a large extent by the essays collected in the volume The Analysis of Film (Bellour 2000). There is a more limited awareness of Bellour's more recent work on cinema, owing to the translations in film journals of the research Bellour conducted into the relations between still and moving images as well as of his role as a key interlocutor of Michel Foucault and Gilles Deleuze.

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Chapter
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Film, Theory and Philosophy
The Key Thinkers
 , pp. 256 - 265
Publisher: Acumen Publishing
Print publication year: 2009

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