Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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‘Dying … to Connect’: Postdigital Co-presence in Dead Centre's To Be a Machine (Version 1.0) (2020)
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- 09 February 2023, pp. 38-51
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It Is Never Too Late to Mend (1865) and Prison Conditions in Nineteenth-Century England
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- 23 January 2009, pp. 4-15
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Unmarked: The Politics of Performance. By Peggy Phelan. London and New York: Routledge, 1993. Pp. 207. $49.95 Hb; 14.95 Pb.
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- 23 January 2009, pp. 87-90
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Komediantteatern I 1600-Talets Stockholm. By Gunilla Dahlberg. Stockholm: Stockholmsmonografier utgivna av Stockholms stad, 1992. Pp. 583 + ill. Sw.Kr. 300.
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- 23 January 2009, pp. 271-272
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Sweetmeats as Space of Desire
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- 21 March 2001, pp. 94-105
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The Making of Victorian Drama. By Anthony Jenkins. Cambridge: Cambridge University Press, 1991. Pp. 301 + illus. £30.
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- 23 January 2009, pp. 60-61
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Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. By Richard Stites. Oxford: Oxford University Press, 1989.
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- 23 January 2009, pp. 169-170
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Shakespeare On The German Stage: Volume I: 1586–1914. By Simon Williams. Cambridge: University Press, 1991. Pp. xiii + 245 + illus. £27.50.
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- 23 January 2009, pp. 161-162
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The Director, the Spectator and the Eiffel Tower
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- 09 May 2005, pp. 36-48
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Emerging Dance Scholarship in Ireland
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- 30 August 2011, pp. 289-291
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Performing Public Presence: African Migrant Women Create Uncomfortable Conversations in London
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- 03 April 2019, pp. 76-81
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Haitian Vodou and Migrating Voices
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- 03 April 2019, pp. 58-63
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The Kembles and Vocal Technique
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- 23 January 2009, pp. 23-42
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Conference Affairs, Tough Break-Ups and Marriage
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- 06 February 2015, pp. 96-99
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Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Edited by Karen Jürs-Munby, Jerome Carroll and Steve Giles. London and New York: Bloomsbury Methuen Drama, 2013. Pp. vii + 324. $114 Hb; £17.99/$28.34 Pb.
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- 02 June 2015, pp. 201-203
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Psychodrama: Hypertheatricality and Sexual Excess on the Gothic Stage
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- 17 February 2003, pp. 20-33
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Beyond Style: Typologies of Performance Analysis
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- 23 January 2009, pp. 24-30
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Prévert's Political Theatre: Two Versions of La Bataille de Fontenoy
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- 23 January 2009, pp. 54-65
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Talking About Pornography, Talking About Theatre: Ethnography, Critical Pedagogy, and the Production of ‘Educated’ Audiences of Etta Jenks in Madison
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- 23 January 2009, pp. 29-36
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The Globalized and the Local: Theatre in Australia and Aotearoa/New Zealand Enters the New Millennium
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- 21 March 2001, pp. 1-14
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