Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 2
An Eternal Parting: Staging Internal Diaspora, Performing South Korean Nationalism
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- Published online by Cambridge University Press:
- 24 October 2016, pp. 231-244
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- Cited by 2
Risk in Performance: Facing the Future
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- Published online by Cambridge University Press:
- 01 July 2009, pp. 173-179
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- Cited by 2
The Dramaturgy of the Perverse
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- 23 January 2009, pp. 226-235
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- Cited by 2
Anxious Futures: Magpie2 and ‘New Generationalism’ in Australian Youth-Specific Theatre
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- 21 March 2001, pp. 71-81
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- Cited by 2
Collaborative Playwriting: The Chettle, Dekker, Heywood Syndicate
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- 23 January 2009, pp. 13-23
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- Cited by 2
The Latin American Theatre of Exile
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- 23 January 2009, pp. 174-185
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- Cited by 2
Theatrical Perception
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- 23 January 2009, pp. 157-171
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- Cited by 2
The Siting of Greek Theatres
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- 23 January 2009, pp. 181-201
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- Cited by 2
Dramaturgies of Exile: Brecht and Benjamin ‘Playing’ Chess and Go
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- 26 January 2012, pp. 5-19
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Chinese Xiqu Performance and Moving-Image Media
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- 01 March 2009, pp. 21-36
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- Cited by 2
Beyond Drama: Writing for Postdramatic Theatre
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- Published online by Cambridge University Press:
- 29 March 2004, pp. 6-28
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- Cited by 2
CAMPO MINADO/MINEFIELD: War, Affect and Vulnerability – a Spectacle of Intimate Power
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- 14 August 2017, pp. 179-189
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- Cited by 2
Re-enacting Revolution and the New Public Sphere in Tunisia, Egypt and Morocco1
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- 31 May 2013, pp. 87-103
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A Defence of D'Arcy and Arden's Non-Stop Connolly Show
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- 23 January 2009, pp. 78-88
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- Cited by 1
Adolphe Appia, Theatre Artist. By Richard C. Beacham. Cambridge: Cambridge University Press, 1987. Pp. 190 + ill.
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- 23 January 2009, pp. 96-99
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‘No Meat for the Teeth of my Viennese’: Don Giovanni and the Theatre of Its Time1
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- 23 January 2009, pp. 23-40
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- Cited by 1
Conference Affairs, Tough Break-Ups and Marriage
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- 06 February 2015, pp. 96-99
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- Cited by 1
The Kembles and Vocal Technique
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- 23 January 2009, pp. 23-42
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Beyond Style: Typologies of Performance Analysis
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- 23 January 2009, pp. 24-30
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Unmarked: The Politics of Performance. By Peggy Phelan. London and New York: Routledge, 1993. Pp. 207. $49.95 Hb; 14.95 Pb.
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- 23 January 2009, pp. 87-90
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