Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 6
You can't rid a song of its words: notes on the hegemony of lyrics in Russian rock songs
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- Published online by Cambridge University Press:
- 10 March 2003, pp. 89-108
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- Cited by 6
Reflecting surfaces: the use of elements from Indian music in popular music and jazz
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 189-205
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- Cited by 6
Inventing recorded music: the recorded repertoire in Scandinavia 1899–1925
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- Published online by Cambridge University Press:
- 01 May 2007, pp. 281-304
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- Cited by 6
the story of orch5, or, the classical ghost in the hip-hop machine
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- Published online by Cambridge University Press:
- 04 October 2005, pp. 339-356
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- Cited by 6
Some aspects of Japanese popular music
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- Published online by Cambridge University Press:
- 17 November 2008, pp. 305-315
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- Cited by 6
Songwriters and song lyrics: architecture, ambiguity and repetition
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- Published online by Cambridge University Press:
- 30 April 2015, pp. 226-244
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- Cited by 6
Alien invasions: the British Musicians' Union and foreign musicians
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- 16 May 2013, pp. 277-295
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- Cited by 6
John Bull in blackface
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- 11 November 2008, pp. 181-201
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- Cited by 6
Sonic branding and the aesthetic infrastructure of everyday consumption
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- Published online by Cambridge University Press:
- 15 June 2021, pp. 281-296
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- Cited by 6
Drag, camp and gender subversion in the music and videos of Annie Lennox
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- Published online by Cambridge University Press:
- 28 January 2004, pp. 17-29
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- Cited by 6
The splintered art world of Contemporary Christian Music
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 37-53
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- Cited by 6
‘We demand justice. We just getting started’: the constitutive rhetoric of 1Hood Media's hip-hop activism
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- 08 September 2015, pp. 432-451
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- Cited by 6
Youssou N'Dour's Sant Yàlla/Egypt: a musical experiment in Sufi modernity1
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- 25 January 2011, pp. 71-87
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- Cited by 6
The Göteborg connection: lessons in the history and politics of popular music education and research
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 219-242
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Marxism, nationalism and popular music in revolutionary Cuba1
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- 11 November 2008, pp. 161-178
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- Cited by 6
Technology, politics and contemporary music: necessity and choice in musical forms
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 279-300
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- Cited by 6
Genre, performance and ideology in the early songs of Irving Berlin1
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 143-150
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A field guide to equalisation and dynamics processing on rock and electronica records
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- Published online by Cambridge University Press:
- 16 June 2010, pp. 283-297
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‘More than just a music’: conservative Christian anti-rock discourse and the U.S. culture wars
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- 13 September 2013, pp. 407-426
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- Cited by 6
Torpedoing the authorship of popular music: a reading of Gorillaz' ‘Feel Good Inc.’
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- 18 June 2009, pp. 239-255
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