Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 7
Is there such a thing as the ‘blue note’?
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- Published online by Cambridge University Press:
- 20 April 2001, pp. 99-116
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- Cited by 7
Whatever happened to …: the decline and renaissance of rock in the former GDR
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 267-277
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- Cited by 7
Essay review
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- Published online by Cambridge University Press:
- 11 November 2008, pp. 271-277
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- Cited by 7
The diverting of musical technology by rock musicians: the example of double-tracking
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- 17 November 2008, pp. 357-365
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- Cited by 7
Production perspectives of heavy metal record producers
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- 11 October 2019, pp. 498-517
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- Cited by 7
More than just music: the seven dimensions of the Eurovision Song Contest
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- 01 February 2012, pp. 165-171
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- Cited by 7
Sonic branding and the aesthetic infrastructure of everyday consumption
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- Published online by Cambridge University Press:
- 15 June 2021, pp. 281-296
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- Cited by 7
‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’
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- 08 April 2014, pp. 185-207
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- Cited by 7
Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film
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- 01 October 2008, pp. 393-411
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- Cited by 7
New nightingales of the Nile: popular music in Egypt since the 1970s1
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- 11 November 2008, pp. 299-312
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- Cited by 7
‘The hieroglyphics of love’: the torch singers and interpretation
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- 11 November 2008, pp. 31-58
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- Cited by 7
‘The morning of freedom rose up’: Kurdish popular song and the exigencies of cultural survival
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- 11 November 2008, pp. 325-343
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- Cited by 7
A taxonomy of musical gesture in African American gospel music
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- 03 February 2010, pp. 103-129
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- Cited by 7
The ‘routes’ and ‘roots’ of danzón: a critique of the history of a genre
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- 27 May 2011, pp. 263-278
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- Cited by 6
Reflections on the challenges of exhibiting popular music at the beginning of the 21st century through a case study of ‘A Magia do Vinil’
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- 09 October 2017, pp. 370-392
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- Cited by 6
The Italian Canzone and the Sanremo Festival: change and continuity in Italian mainstream pop of the 1960s
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- 03 October 2007, pp. 389-408
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- Cited by 6
‘Digital indigestion’: cumbia, class and a post-digital ethos in Buenos Aires
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- 30 April 2015, pp. 175-196
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- Cited by 6
Dressed for success: Sweden from Abba to Roxette
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- 11 November 2008, pp. 141-150
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- Cited by 6
Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié's writing on jazz
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- 25 January 2011, pp. 25-45
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- Cited by 6
‘Horses in the race course’: the domestication of ingoma dancing in South Africa, 1929–39
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- 11 November 2008, pp. 259-273
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