Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Carolyn Abbate, In Search of Opera. Princeton: Princeton University Press, 2001. 290pp.
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- 09 December 2005, pp. 215-223
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Learning to curse at sixty-seven
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- 20 June 2003, pp. 229-241
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An Annotated livret of Lully's Roland as a Source for Seventeenth-Century Declamation
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- 14 March 2013, pp. 1-36
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Defrosting instructions: A response
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- 01 March 2005, pp. 311-318
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Pellegrin, opera and tragedy
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- 27 August 2008, pp. 247-257
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Musical style and political allegory in Krenek's Karl V
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- 05 March 2002, pp. 55-80
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Dancing desire on the Venetian stage
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- 20 May 2004, pp. 281-295
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Doctor Atomic or: How John Adams Learned to Stop Worrying and Love Sound Design
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- 14 November 2019, pp. 85-117
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Music and masks in Lorenzo Da Ponte's Mozartian librettos
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- 27 August 2008, pp. 225-247
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The Flying Dutchman, English Spectacle and the Remediation of Grand Opera
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- 11 October 2017, pp. 5-32
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The Limits of Operatic Deadness Bizet, ‘Habanera’ (Carmen), Carmen, Act I
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- 28 September 2016, pp. 221-226
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Italians Abroad: Verdi's La traviata and the 1906 Milan Exposition
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- 02 June 2020, pp. 237-272
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H. Robert Cohen and Marie-Odile Gigou. Cent ans de mise en scène lyrique en France (env. 1830–1930). Catalogue descriptif des livrets de mise en scène, des libretti annotés et des partitions annotées dans la Bibliothèque de l'Association de la régie théâtrale (Paris). Preface by Philip Gossett. New York: Pendragon Press, 1986. lviii + 334 pp.
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- 27 August 2008, pp. 179-186
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Costumes and Cosmopolitanism: Italian Opera in the North
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- 24 November 2020, pp. 27-51
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Carl Dahlhaus and Sieghart Döhring, eds. Pipers Enzyklopädie des Musiktheaters: Oper–Operette-Musical-Ballett. Vol. I, Werke: Abbatini bis Donizetti. Munich: Piper, 1986. 776 pp. Subscription price DM 368.
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- 27 August 2008, pp. 195-201
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Richard Wagner's Parsifal and the theory of late style
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- 27 August 2008, pp. 37-54
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Introductory note
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- 20 May 2004, pp. 213-215
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Staging Venice
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- 20 May 2004, pp. 297-316
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Grieving in the mirrors of Verdi's Willow Song: Desdemona, Barbara and a ‘feeble, strange voice’
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- 27 August 2008, pp. 289-305
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Becoming a Composer: Walther's Songs in Die Meistersinger
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- 05 November 2013, pp. 261-284
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