9876 results in Twentieth-Century and Contemporary Music
Jörg Stelkens and Hans G. Tillmann (eds.), Klangforschung '98: Symposium zur elektronischen Musik. Saarbrücken: PFAU-Verlag, 1999. 201 pp. Softback, ISBN 3-89727-086-2
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 51-55
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Frock Rock: Women Performing Popular Music. By Mavis Bayton, Oxford and New York. Oxford University Press, 1998. xii + 246 pp.
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 257-264
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Music and Social Movements: Mobilizing Traditions in the Twentieth Century. By Ron Eyerman and Andrew Jamison. Cambridge: Cambridge University Press, 1998. 191 pp. Acting in Concert: Music, Community, and Political Action. By Mark Mattern. New Brunswick, New Jersey and London: Rutgers University Press, 1998. 184 pp.
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 257-264
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Hybridity and national musics: the case of Irish rock music
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 181-199
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Situating the invention in interactive music
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 27-34
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Sex, Pulp and critique
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 231-241
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- April 2000
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Music and the Internet
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 217-230
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Lifting Bodies: interactive dance – finding new methodologies in the motifs prompted by new technology – a critique and progress report with particular reference to the Bodycoder System
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 9-16
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- April 2000
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Jim Crow laws of the 1890s and the origins of New Orleans jazz: correction of an error
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 243-251
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- April 2000
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Hidden grids: paths of expressive gesture between instruments, music and dance
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 17-26
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‘A song goes round the world’: the German Schlager, as an organ of experience
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 147-180
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Gesture control of musical processes: a MAX environment for Buchla's ‘Lightning’
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 3-7
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The Beatles: Sgt. Pepper's Lonely Hearts Club Band. By Allan Moore. Cambridge: Cambridge University Press. Cambridge Music Handbooks, 1997. xi+98 pp.
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 257-264
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Todd Winkler, Composing Interactive Music – Techniques and Ideas Using Max. The MIT Press, Cambridge, MA/London, England, 1998. 350 pp. + CD-ROM with programming examples from the text and additional material (requires an Apple MacIntosh computer with MAX software installed). ISBN 0-262-23193-X.
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 51-55
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String musicians in the recording studios of Memphis, Tennessee
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 201-215
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Global Pop: World Music, World Markets. By Timothy D. Taylor. New York and London: Routledge, 1997. 271 pp.
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 257-264
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EDITORIAL
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, p. 1
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- April 2000
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Alan P. KeFauver, Fundamentals of Digital Audio. The Computer Music and Digital Audio Series, Vol. 14. Milison, WI: A-R Editions, Inc. 1999. 174 pp. Softback, ISBN 0-89579-405-5. RRP $39.95.
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 51-55
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Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs
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- Popular Music / Volume 19 / Issue 2 / April 2000
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- 11 December 2000, pp. 125-145
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The SndObj Sound Object Library
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- Organised Sound / Volume 5 / Issue 1 / April 2000
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- 30 May 2001, pp. 35-49
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