9876 results in Twentieth-Century and Contemporary Music
Listening to Salsa: Gender, Latin Popular Music and Puerto Rican Cultures. By Frances R. Aparicio. Wesleyan University Press, 1998. 311 pp.
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- Popular Music / Volume 20 / Issue 1 / January 2001
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- 20 April 2001, pp. 121-136
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- January 2001
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‘Nothing You Can See That Isn't Shown’: the album covers of the Beatles
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- Popular Music / Volume 20 / Issue 1 / January 2001
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- 20 April 2001, pp. 83-97
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- January 2001
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The Inaudible Music: Jazz, Gender and Australian Modernity. By Bruce Johnson. Sydney: Currency Press, 2000. 244 pp. Playing Ad Lib: Improvisatory Music in Australia 1836-1970. By John Whiteoak. Sydney: Currency Press, 1999. xxii + 343 pp.
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- Popular Music / Volume 20 / Issue 1 / January 2001
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- 20 April 2001, pp. 121-136
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- January 2001
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EDITORIAL
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, p. 117
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- December 2000
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Applications of system dynamics modelling to computer music
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, pp. 149-157
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- December 2000
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Computing auditory perception
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, pp. 159-171
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- December 2000
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Holzwege on Mount Fuji: a doctrine of no-aesthetics for computer and electroacoustic music
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, pp. 127-133
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- December 2000
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Paradigms for the new string instrument: digital and materials technology
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, pp. 135-147
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- December 2000
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Helga de la Motte-Haber (ed.) Klangkunst: Tönende Objekte und klingende Räume. Volume 12. Handbuch der Musik im 20. Jahrhundert. Laaber-Verlag, Laaber, Germany, 1999. 352 pp. ISBN 3-89007-432-4. RRP DM198. CD-ROM DEGEM-01 Klangkunst in Deutschland (Sonic Art in Germany). Can be ordered from the Neue Zeitschrift für Musik, eserservice, Schott Musik International, Postfach 3640, 55026 Mainz, Germany. Order no. T 5150. RRP DM49.90.
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, pp. 191-194
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- December 2000
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Analysis/synthesis comparison
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, pp. 173-189
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- December 2000
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The kinematic analysis of motion curves through MIDI data analysis
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 02 February 2001, pp. 137-145
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- December 2000
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The aesthetics of computer music: a questionable concept reconsidered
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- Organised Sound / Volume 5 / Issue 3 / December 2000
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- 23 July 2001, pp. 119-126
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- December 2000
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Music technology and audio processing: rall. or accel. into the new millennium?
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 16 November 2000, pp. 153-160
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- December 2000
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Letter to a twenty-five-year old electroacoustic composer
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 16 November 2000, pp. 147-150
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- December 2000
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Music as mirror of mind
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 16 November 2000, pp. 151-152
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- December 2000
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Announcements
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 16 November 2000, p. 177
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- December 2000
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A novel efficient algorithm for music transposition
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 16 November 2000, pp. 161-167
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- December 2000
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Editorial
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 16 November 2000, p. 135
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- December 2000
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MARSYAS: a framework for audio analysis
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- Organised Sound / Volume 4 / Issue 3 / December 2000
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- 16 November 2000, pp. 169-175
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- December 2000
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Getting into the groove?
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- Popular Music / Volume 19 / Issue 3 / October 2000
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- 11 December 2000, pp. 397-402
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- October 2000
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