9876 results in Twentieth-Century and Contemporary Music
Postmodern Musicology in Combined Development: a Review of Judy Lochhead and Joseph Auner, eds, Postmodern Music / Postmodern Thought (New York and London: Routledge, 2002), ISBN 0815338198 (hb), 0815338201 (pb)
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 125-130
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Editorial
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 3-4
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Notes on Contributors
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, p. 2
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‘Unbounded Visions’: Boulez, Mallarmé and Modern Classicism
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 65-80
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(Ac)cumulative Form in Pop-Rock Music
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 29-64
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György Ligeti and the Rhetoric of Autonomy
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 5-28
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Vox Electronica: Nostalgia, Irony and Cyborgian Vocalities in Kraftwerk’s Radioaktivität and Autobahn
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 81-100
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The Third Biennial International Conference on Twentieth-Century Music, University of Nottingham, 26–29 June 2003
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 147-151
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Stalin and the Art of Boredom
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- Twentieth-Century Music / Volume 1 / Issue 1 / March 2004
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- 07 July 2004, pp. 101-124
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How Popular Musicians Learn. By Lucy Green. Aldershot and Burlington: Ashgate, 2001. 238 pp. ISBN 0-7546-0338-5
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 237-239
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- May 2004
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The Last Party: Britpop, Blair and the Demise of English Rock. By John Harris. London: Fourth Estate, 2003. 448 pp. ISBN 0-00-713472-X
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 224-227
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- May 2004
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Re-thinking ‘whiteness’? Identity, change and ‘white’ popular music in post-apartheid South Africa
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 105-131
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- May 2004
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Living troubadours and other recent uses for medieval music
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 133-153
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- May 2004
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Bossa Nova: The Story of the Brazilian Music that Seduced the World. By Ruy Castro, trans. Lysa Salsbury. Chicago: A Cappella, 2000. 372 pp., discography, glossary, index, photos Tropical Truth: A Story of Music & Revolution in Brazil. By Caetano Veloso, trans. Isabel de Sena. New York: Knopf, 2002. 354 pp., glossary, index, photos
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 229-231
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- May 2004
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(Re)voicing tradition: improvising aesthetics and identity on local jazz scenes
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 155-171
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- May 2004
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The Cambridge Companion to Singing. Edited by John Potter. Cambridge: Cambridge University Press, 2000. 286 pp. ISBN 0-521-62709-5
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 232-235
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- May 2004
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Who Needs Classical Music? Cultural Choice and Musical Value. By Julian Johnson. Oxford University Press, 2002. 140 pp. ISBN 0-19-514681-6
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 227-229
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- May 2004
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Apolitical Blues: Report on the IASPM 12th Biennial Conference, McGill University, Montreal, 3–7 July 2003
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 195-219
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- May 2004
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‘So slide over here’: the aesthetics of masculinity in late twentieth-century Australian pop music
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 173-193
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- May 2004
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Voice of the Magi, Enchanted Journeys in Southeast Brazil. By Suzel Ana Reily. Chicago Studies in Ethnomusicology. The University of Chicago Press, 2002. 266 pp. ISBN 0-226-0939-8
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- Popular Music / Volume 23 / Issue 2 / May 2004
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- 23 July 2004, pp. 221-224
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- May 2004
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