9876 results in Twentieth-Century and Contemporary Music
Mala Bizta Sochal Klu: underground, alternative and commercial in Havana hip hop
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. 1-24
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- January 2012
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PMU volume 31 issue 1 Cover and Front matter
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. f1-f6
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- January 2012
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Virtual liveness and sounding cyborgs: John Oswald's ‘Vane’
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. 45-68
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- January 2012
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All the young dudes: educational capital, masculinity and the uses of popular music
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. 25-44
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- January 2012
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Learning, Teaching, and Musical Identity: Voices across Cultures. Edited by Lucy Green. Bloomington and Indianapolis: Indiana University Press, 2011. ISBN 978-0-253-22293-0
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. 179-180
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- January 2012
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More than just music: the seven dimensions of the Eurovision Song Contest
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. 165-171
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- January 2012
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Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. 87-104
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- January 2012
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Cajun and Zydeco Dance Music in Northern California: Modern Pleasures in a Postmodern World. By Mark DeWitt. Jackson: University of Mississippi Press, 2008. ii + 280 pp., index, photos. ISBN 978-1604730906
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- Popular Music / Volume 31 / Issue 1 / January 2012
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- 01 February 2012, pp. 188-190
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- January 2012
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Skryabin's Revolving Harmonies, Lacanian Desire, and Riemannian Funktionstheorie
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 167-194
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Pwyll ap Siôn, The Music of Michael Nyman: Texts, Contexts and Intertexts (Aldershot: Ashgate, 2007), ISBN 978-1-85928-210-6 (hb)
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 254-260
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Notes on Contributors
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, p. 137
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Sound and Writing: Complementary Facets of the Anglo-Scottish Ballad
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 139-165
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Real Feelings: Music as Path to Philosophy in 2001: A Space Odyssey
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 195-217
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Mervyn Cooke, A History of Film Music (Cambridge: Cambridge University Press, 2008), ISBN 978-0-521-81173-6 (hb), 978-0-521-01048-1 (pb)
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 245-248
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Bach and Cigarettes: Imagining the Everyday in Jarmusch's Int. Trailer. Night
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 219-243
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TCM volume 7 issue 2 Cover and Back matter
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. b1-b2
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Sarah Reichardt, Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich (Aldershot: Ashgate, 2007), ISBN 978-0-7546-5884-9 (hb)
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 260-267
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Bayan Northcott, The Way We Listen Now and Other Writings on Music, ed. Christopher Wintle (London: Plumbago, 2009), ISBN 978-0-9556-0873-5 (pb)
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 267-270
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TCM volume 7 issue 2 Cover and Front matter
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. f1-f3
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Robert Carl, Terry Riley's In C (Oxford and New York: Oxford University Press, 2009), ISBN 978-0-1953-2528-7 (hb)
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- Twentieth-Century Music / Volume 7 / Issue 2 / September 2010
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- 29 November 2011, pp. 248-253
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