9876 results in Twentieth-Century and Contemporary Music
Creación musical, cultura popular y construcción nacional en la España contemporánea. By Celsa Alonso Madrid: Instituto Complutense de Ciencias Musicales, 2010. 347 pp. ISBN 978-8-489-45745-4 - Transnational Encounters. Music and Performance at the U.S.–Mexico Border. Edited by Alejandro L. Madrid. New York: Oxford University Press, 2011. 406 pp. ISBN 978-0-199-73592-1 - Flamenco Music and National Identity in Spain. By William Washabaugh. Farnham: Ashgate, 2012. 177 pp. ISBN 978-1-409-43484-9
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 543-547
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- October 2013
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PMU volume 32 issue 3 Cover and Front matter
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. f1-f6
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- October 2013
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China With a Cut: Globalisation, Urban Youth and Popular Music. By Jeroen de Kloet. Amsterdam: Amsterdam University Press, 2010. 255 pp. ISBN 978-9- 089-64162-5
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 550-551
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- October 2013
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Modernism and Popular Music. By Ronald Schleifer. Cambridge: Cambridge University Press, 2011. 233 pp. ISBN 978-1-107-00505-1
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 547-549
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- October 2013
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PMU volume 32 issue 3 Cover and Back matter
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. b1-b9
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- October 2013
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Unfree Masters: Recording Artists and the Politics of Work. By Matt Stahl. London: Duke, 2013. 296 pp. ISBN 978-0-8223-5343-0
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 527-529
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- October 2013
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History without royalty? Queen and the strata of the popular music canon
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 385-405
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- October 2013
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The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 451-470
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- October 2013
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The Library of Essays on Popular Music. General editor, Allan F. Moore. Aldershot, Ashgate, 2012. - Electronica, Dance and Club Music. Edited by Mark J. Butler. 536 pp. ISBN 978-0-754-62965-8 - Roots Music. Edited by Mark F. DeWitt. 502 pp. ISBN 978-0-754-62962-7 - Pop Music and Easy Listening. Edited by Stan Hawkins. 523 pp. ISBN 978-0-754-62952-8 - Non-Western Popular Music. Edited by Tony Langlois. 600 pp. ISBN 978-0-754-62984-9 - Popular Music and Multimedia. Edited by Julie McQuinn. 506 pp. ISBN 978-0-754-62961-0 - Rock Music. Edited by Mark Spicer. 474 pp. ISBN 978-0-754-62956-6 - Jazz. Edited by Tony Whyton. 532 pp. ISBN 978-0-754-62951-1
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 529-534
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- October 2013
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The Beatles and McLuhan: Understanding the Electric Age. By Thomas MacFarlane. Lanham, MD, Toronto and Plymouth: Scarecrow Press, 2013. 169 pp. ISBN: 978-0-8108-8432-8
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 523-525
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- October 2013
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Irish Music Abroad: Diasporic Sounds in Birmingham. By Angela Moran. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2012. 211 pp. ISBN 978-1-4438-4037-8
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 552-553
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- October 2013
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The Hollywood Film Music Reader. Edited by Mervyn Cooke. Oxford: Oxford University Press, 2010. 382 pp. ISBN 978-0-19-533119-6
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 539-541
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- October 2013
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Music, Politics, and Violence. Edited by Susan Fast and Kip Pegley. Middletown, CT: Wesleyan University Press, 2012. 320 pp. ISBN 978-0-819-57338-4
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 541-543
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- October 2013
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The World Has Made Me the Man of My Dreams: Meshell Ndegeocello and the ‘problem’ of Black female masculinity
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 471-496
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- October 2013
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The estranged quotation in Israeli popular music
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 497-519
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- October 2013
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The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. By Kevin Dawe. Farnham: Ashgate, 2010. 227 pp. ISBN 978-0-754-66775-9
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 525-527
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- October 2013
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Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings
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- Popular Music / Volume 32 / Issue 3 / October 2013
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- 13 September 2013, pp. 343-358
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- October 2013
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After Mahler
- Britten, Weill, Henze and Romantic Redemption
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- 05 September 2013
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- 19 September 2013
3 - Fascist modernism
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- Luigi Dallapiccola and Musical Modernism in Fascist Italy
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- 05 September 2013
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- 15 August 2013, pp 132-193
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Luigi Dallapiccola and Musical Modernism in Fascist Italy - Title page
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- Luigi Dallapiccola and Musical Modernism in Fascist Italy
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- 05 September 2013
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- 15 August 2013, pp v-v
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