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  1. Home
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  3. Luigi Dallapiccola and Musical Modernism in Fascist Italy
  • Cited by 10
Publisher:
Cambridge University Press
Online publication date:
September 2013
Print publication year:
2013
Online ISBN:
9781139033329
DOI:
https://doi.org/10.1017/CBO9781139033329
Subjects:
Twentieth-Century and Contemporary Music, Music, Music Criticism
Series:
Music since 1900
Information

Book description

Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.

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