9876 results in Twentieth-Century and Contemporary Music
6 - Woman and the symbolism of self-redemption
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5 - Compositional innovation and the redemption of Ahasuerus
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2 - Schoenberg as Christ
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Dedication
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Schoenberg and Redemption
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Schoenberg and Redemption - Title page
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Schoenberg and Redemption - Half title page
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Abbreviations
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Appendix
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Contents
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Actor-Networks in Music History: Clarifications and Critiques
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- Twentieth-Century Music / Volume 11 / Issue 2 / September 2014
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- 22 May 2014, pp. 191-215
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Sonic Anthropology in 1900: The Challenge of Transcribing Non-Western Music and Language
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 7-36
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Review Article
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 163-176
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Between Composition and Transcription: Ferruccio Busoni and Music Notation
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 37-61
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TCM volume 11 issue 1 Cover and Back matter
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. b1-b4
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Notes on Contributors
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 1-2
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Allan F. Moore, Song Means: Analysing and Interpreting Recorded Popular Song (Farnham: Ashgate, 2012, ISBN 978-1-4094-2864-0 (hb), 978-1-4094-3802-1 (pb).
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 183-188
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TCM volume 11 issue 1 Cover and Front matter
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. f1-f3
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Marina Frolova-Walker and Jonathan Walker, Music and Soviet Power 1917–1932. (Woodbridge: The Boydell Press, 2012), ISBN 978-1-843-83703-9 (hb). - Alexander Ivashkin and Andrew Kirkman, eds, Contemplating Shostakovich: Life, Music and Film. (Farnham: Ashgate, 2012), ISBN 978-1-4094-3937-0 (hb).
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 177-182
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Forum on Transcription
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 101-161
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