9876 results in Twentieth-Century and Contemporary Music
Philip Tagg: 70 years of popular music
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 134-136
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- January 2015
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Pop Pagans: Paganism and Popular Music. Edited by Donna Weston and Andy Bennett. Durham & Bristol, CT: Acumen2013. x + 246 pp. ISBN 978-1-844-65647-9
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 158-160
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- January 2015
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Bodies of Sound: Studies Across Popular Music and Dance. Edited by Sherril Dodds and Susan C. Cook. Farnham: Ashgate, 2013. 237 pp. ISBN 978-1-409-44517-3
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 142-144
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- January 2015
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PMU volume 34 issue 1 Cover and Front matter
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. f1-f5
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- January 2015
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Rhymin’ and Stealin’. Musical Borrowing in Hip-Hop. By Justin A. Williams. Ann Arbor, MI: University of Michigan Press, 2013. 256 pp. ISBN 978-0-472-11892-2
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 140-142
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- January 2015
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The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology. By Babette Babich. Farnham: Ashgate, 2013. 307 pp. ISBN 978-1-409-44960-7
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 156-158
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- January 2015
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Nuuk underground: musical change and cosmopolitan nationalism in Greenland
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 113-133
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- January 2015
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Nests, arcs and cycles in the lifespan of a studio project
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 67-93
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- January 2015
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Vinyl: A History of the Analogue Record. By Richard Osborne. Farnham: Ashgate, 2012. 224 pp. ISBN 978-1-409-44027-7
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 166-168
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- January 2015
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Funky Nassau. Roots, Routes, and Representation in Bahamian Popular Music. By Timothy Rommen. Berkley, CA: University of California Press and Black Music Center, 2011. xvii + 310 pp. ISBN 978-0-520-26569-1
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 162-164
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- January 2015
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Soul Unsung: Reflections on the Band in Black Popular Music. By Kevin Le Gendre. Sheffield: Equinox, 2012. ISBN 978-1-845-33543-8
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 150-152
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- January 2015
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Shakin’ All Over: Popular Music and Disability. By George McKay. Ann Arbor, MI: University of Michigan Press, 2013. ISBN 978-0-472-05209-7
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 164-166
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- January 2015
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Assimilate: A Critical History of Industrial Music. By S. Alexander Reed. New York: Oxford University Press, 2013. 368 pp. ISBN 978-0-199-83260-6
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 172-174
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- January 2015
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Performing Englishness: Identity and Politics in a Contemporary Folk Resurgence. By Trish Winter and Simon Keegan-Phipps. Manchester: Manchester University Press, 2013. x +185 pp. ISBN 978-0-719-08539-0 - Nick Drake Dreaming England. By Nathan Wiseman-Trowse. London: Reaktion, 2013. 165 pp. ISBN 978-1-780-23176-1
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 145-147
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- January 2015
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Unwrapping ‘Norwegianness’: politics of difference in Karpe Diem
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 45-66
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- January 2015
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Experiencing ‘Flow’ in Jazz Performance. By Elina Hytönen-Ng. Farnham: Ashgate, 2013. 167 pp. ISBN 978-1-409-44790-0
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 152-155
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- January 2015
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Frank Zappa and the And. Edited by Paul Carr. Farnham: Ashgate, 2013. 247 pp. ISBN 978-1-409-43337-8
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 147-150
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- January 2015
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PMU volume 34 issue 1 Cover and Back matter
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. b1-b8
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- January 2015
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Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio. Edited by Timothy D. Taylor, Mark Katz and Tony Grajeda. Durham, NC and London: Duke University Press, 2012. 410 pp. ISBN 978-0-822-34946-4
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 160-162
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- January 2015
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Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981. By Eric Drott. Berkeley, CA: University of California Press, 2011. 368 pp. ISBN 978-0-520-26897-5
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- Popular Music / Volume 34 / Issue 1 / January 2015
- Published online by Cambridge University Press:
- 19 December 2014, pp. 155-156
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- January 2015
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