9876 results in Twentieth-Century and Contemporary Music
Dedication
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Select discography
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Note on the text
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Acknowledgements
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8 - Bill Evans’s modal jazz and French music reconfigured
- from Part III - The impact of French music upon jazz (1925–1965)
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Part II - The impact of early jazz upon French music (1900–1935)
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3 - Debussy and Satie: early French explorations of cakewalk and ragtime
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1 - A historical-cultural overview
- from Part I - Locations and relations
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Part I - Locations and relations
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2 - Critical-analytical perspectives: intertextuality and borrowing
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4 - Milhaud’s understanding of jazz and blues:La Création du monde
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Index
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5 - Crossing borders: Ravel’s theory and practice of jazz
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Part III - The impact of French music upon jazz (1925–1965)
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Editorial
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- Organised Sound / Volume 19 / Issue 3 / December 2014
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- 13 November 2014, pp. 213-214
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Do Desenho e do Som: Harmonising screen scores and listening
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- Organised Sound / Volume 19 / Issue 3 / December 2014
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- 13 November 2014, pp. 228-238
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Sonification and the Mysticism of Negation
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- Organised Sound / Volume 19 / Issue 3 / December 2014
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- 13 November 2014, pp. 304-309
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Useful Scores: Multiple formats for electroacoustic performers to study, rehearse and perform
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- Organised Sound / Volume 19 / Issue 3 / December 2014
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- 13 November 2014, pp. 239-243
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Generative Music for Live Performance: Experiences with real-time notation
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- Organised Sound / Volume 19 / Issue 3 / December 2014
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- 13 November 2014, pp. 276-285
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‘Atomic’ Music: Navigating experimental electronica and sound art through microsound
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- Organised Sound / Volume 19 / Issue 3 / December 2014
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- 13 November 2014, pp. 295-303
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