9876 results in Twentieth-Century and Contemporary Music
Challenging authenticity: fakes and forgeries in rock music
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 204-218
- Print publication:
- May 2019
-
- Article
- Export citation
Black and Blur. By Fred Moten. Durham, NC: Duke University Press, 2017. [consent not to be a single being, volume 1]. 339 pp. ISBN 9780822370161
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 354-359
- Print publication:
- May 2019
-
- Article
- Export citation
Talking Italian blues: Roberto Leydi, Giovanna Marini and American Influence in the Italian folk revival, 1954–66
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 317-334
- Print publication:
- May 2019
-
- Article
- Export citation
Sound, music, and magic in football stadiums - ERRATUM
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, p. 360
- Print publication:
- May 2019
-
- Article
-
- You have access
- HTML
- Export citation
PMU volume 38 issue 2 Cover and Back matter
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. b1-b4
- Print publication:
- May 2019
-
- Article
-
- You have access
- Export citation
Do music festival communities address environmental sustainability and how? A Scottish case study
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 252-275
- Print publication:
- May 2019
-
- Article
- Export citation
Time in the Blues. By Julia Simon. New York: Oxford University Press, 2017. 272 pp. ISBN 9780190666552
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 350-352
- Print publication:
- May 2019
-
- Article
- Export citation
A sound track to ecological crisis: tracing guitars all the way back to the tree
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 183-203
- Print publication:
- May 2019
-
- Article
- Export citation
PMU volume 38 issue 2 Cover and Front matter
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. f1-f6
- Print publication:
- May 2019
-
- Article
-
- You have access
- Export citation
Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. By David F. Garcia. Durham, NC: Duke University Press, 2017. 360 pp. ISBN 978-0-8223-6370-5
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 348-350
- Print publication:
- May 2019
-
- Article
- Export citation
Postwar Europe and the Eurovision Song Contest. By Dean Vuletic. London: Bloomsbury Academic, 2018. xvi + 272 pp. ISBN 978-1-4742-7626-9
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 346-348
- Print publication:
- May 2019
-
- Article
- Export citation
Dave Laing
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 179-182
- Print publication:
- May 2019
-
- Article
-
- You have access
- HTML
- Export citation
Crosstown Traffic Conference – a review
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 335-340
- Print publication:
- May 2019
-
- Article
- Export citation
Music as Creative Practice. By Nicholas Cook. New York: Oxford University Press, 2018. 248 pp. ISBN 9780199347803
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 344-346
- Print publication:
- May 2019
-
- Article
- Export citation
Religion and heavy metal music in Indonesia
-
- Journal:
- Popular Music / Volume 38 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 01 May 2019, pp. 276-297
- Print publication:
- May 2019
-
- Article
- Export citation
TCM volume 16 issue 2 Cover and Front matter
-
- Journal:
- Twentieth-Century Music / Volume 16 / Issue 2 / June 2019
- Published online by Cambridge University Press:
- 30 April 2019, pp. f1-f3
-
- Article
-
- You have access
- Export citation
What Next? Shostakovich's Sixth Symphony as Sequel and Prequel
-
- Journal:
- Twentieth-Century Music / Volume 16 / Issue 2 / June 2019
- Published online by Cambridge University Press:
- 30 April 2019, pp. 231-257
-
- Article
- Export citation
Unfolding the Fan of Memory in Arthur Lourié’s Recollection of Petersburg
-
- Journal:
- Twentieth-Century Music / Volume 16 / Issue 2 / June 2019
- Published online by Cambridge University Press:
- 30 April 2019, pp. 289-317
-
- Article
- Export citation
Philip M. Gentry, What Will I Be: American Music and Cold War Identity (Oxford: Oxford University Press, 2017), ISBN 978-0-190-29959-0 (hb).
-
- Journal:
- Twentieth-Century Music / Volume 16 / Issue 2 / June 2019
- Published online by Cambridge University Press:
- 30 April 2019, pp. 353-358
-
- Article
- Export citation
TCM volume 16 issue 2 Cover and Back matter
-
- Journal:
- Twentieth-Century Music / Volume 16 / Issue 2 / June 2019
- Published online by Cambridge University Press:
- 30 April 2019, pp. b1-b2
-
- Article
-
- You have access
- Export citation