9876 results in Twentieth-Century and Contemporary Music
Chapter 2 - Jazz in the Soviet Zone, 1945–1949
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- A People's Music
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Preface
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A People's Music
- Jazz in East Germany, 1945–1990
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- 02 December 2019
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- 19 December 2019
Working with Electroacoustic Music in Rural Communities: The use of an interactive music system in the creative process in primary and secondary school education
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 228-239
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- December 2019
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UPISketch: The UPIC idea and its current applications for initiating new audiences to music
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 252-260
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- December 2019
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A Consideration of the Code of Computer Music as Writing, and Some Thinking on Analytical Theories
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 319-328
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- December 2019
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Introducing New Audiences to Sound-Based Music through Creative Engagement
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 240-251
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- December 2019
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OSO volume 24 issue 3 Cover and Back matter
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. b1-b2
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- December 2019
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OSO volume 24 issue 3 Cover and Front matter
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. f1-f2
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Christoph von Blumröder, Die elektroakustische Musik: Eine kompositorische Revolution und ihre Folgen. Signale aus Köln: Beiträge zur Musik der Zeit, vol. 22, Christoph von Blumröder (ed.). Vienna: Verlag Der Apfel, 2017. 290 pp. ISBN 978-3-85450-422-1.
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 329-330
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- December 2019
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Soundwalks: An experiential path to new sonic art
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 261-273
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- December 2019
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Editorial: Bringing New Music to New Audiences
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 225-227
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- December 2019
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The Development of an Inclusive Model to Construct Teacher’s Professional Knowledge: Pedagogic content knowledge for sound-based music as a new subject area
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 274-288
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- December 2019
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Sound and movie examples – issue 24(3)
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, p. 331
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- December 2019
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Activating Audiences: How spatial music can help us to listen
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 297-306
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- December 2019
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Grasping the Intimate Immensity: Acousmatic compositional techniques in sound art as ‘something to hold on to’
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 307-318
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- December 2019
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Empowerment and Disempowerment in the Participatory Culture of TransCoding
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- Organised Sound / Volume 24 / Issue 3 / December 2019
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- 29 November 2019, pp. 289-296
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- December 2019
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Ravel's Tzigane: Artful Mask or Kitsch?
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- Twentieth-Century Music / Volume 17 / Issue 1 / February 2020
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- 15 November 2019, pp. 63-86
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79 - Peter Yates (1735 Micheltorena Street, Los Angeles) to John Cage, December 4, 1965, typewritten [source: JCC]
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- John Cage and Peter Yates
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- 25 October 2019
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- 14 November 2019, pp 233-234
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68 - John Cage (Stony Point) to Peter Yates, September 19, 1965, typewritten [source: PYP]
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- John Cage and Peter Yates
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- 25 October 2019
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- 14 November 2019, pp 226-226
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